Abstract

Writers and readers of literature are, among other things, biological entities that evolve under particular political (geographical/historical) conditions. A comparative study of certain texts by Martin Heidegger (1889–1976) can help us establish a fruitful interpretation of this threefold link between literary art, biology and politics. However, careful analysis reveals that Heidegger remains too rooted in an old-world, nationalistic and anthropocentric paradigm. We will attempt to rethink Heidegger’s assumptions on the grounds that literature, a cultural practice, enables us to delineate our natural environment. By reformulating Heidegger’s line of thought, we can more precisely address the plural structure of our biotic and political-literary experiences.