The End of Phenomenology: Bergson's Interval in Irigaray

Hypatia 15 (3):73-91 (2000)
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Abstract

Luce Irigaray is often cited as the principle feminist who adheres to phenomenology as a method of descriptive philosophy. A different approach to Irigaray might well open the way to not only an avoidance of phenomenology's sexist tendencies, but the recognition that the breach between Irigaray's ideas and those of phenomenology is complete. I argue that this occurs and that Irigaray's work directly implicates a Bergsonian critique of the limits of phenomenology.

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10.1111/j.1527-2001.2000.tb00331.x

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Dorothea Olkowski
University of Colorado, Colorado Springs

Citations of this work

Rendering Visible: Painting and sexuate subjectivity.Linda Daley - 2015 - Educational Philosophy and Theory 47 (6):608-621.

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References found in this work

Phenomenology of perception.Maurice Merleau-Ponty - 1945 - Atlantic Highlands, New Jersey: The Humanities Press. Edited by Donald A. Landes.
Difference and repetition.Gilles Deleuze - 1994 - London: Athlone Press.
Volatile Bodies: Toward a Corporeal Feminism.Elizabeth Grosz - 1994 - St. Leonards, NSW: Indiana University Press.
The Basic Works of Aristotle. Aristotle - 2001 - New York: Modern Library. Edited by Richard McKeon.
This Sex Which Is Not One.Luce Irigaray - 1977 - Cornell University Press.

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