Abstract

This paper tracks the development of Boyle’s conception of the natural world in terms of the popular “book of nature” trope. Boyle initially spoke of the creatures and phenomena of nature in a spiritual and moral register, as emblems of divine purpose, but gradually shifted from this ideographic view to an alphabetical account, which at times became posed in explicitly cryptographic terms. I explain this transition toward cryptographic metaphors in terms of Boyle’s social and intellectual milieu and their concordance with the reductive and conjectural character of the mechanical philosophical program.