Deleuze's Cronosigns / Susana Viegas - The Film as Philosophy Debate. The Bold Thesis Retired: On Cinema as Philosophy

In Christina Rawls, Diana Neiva & Steven S. Gouveia (eds.), Philosophy and Film: Bridging Divides. Routledge Press, Research on Aesthetics (2019)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,283

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Deleuze on cinema.Ronald Bogue - 2003 - New York: Routledge.
Deleuze, leitor de Espinosa: automatismo espiritual e fascismo no cinema.Susana Viegas - 2014 - Kriterion: Journal of Philosophy 55 (129):363-378.
An unthinkable cinema: Deleuze’s mutant politics of film.Timothy Deane-Freeman - 2023 - Philosophy and Social Criticism 49 (8):930-949.
Deleuze and film’s philosophical value.Susana Viegas - 2018 - Kriterion: Journal of Philosophy 59 (139):271-286.
The Bold Thesis Retried: On Cinema as Philosophy.Paisley Livingston - 2019 - In Christina Rawls, Diana Neiva & Steven Gouveia (eds.), Philosophy and Film: Bridging Divides. New York: Routledge. pp. 81-91.
Gilles Deleuze's Time Machine.David Norman Rodowick - 1997 - Durham, NC: Duke University Press.
Toward a Cinematic Pedagogy: Gilles Deleuze and Manoel de Oliveira.Susana Viegas - 2016 - Journal of Aesthetic Education 50 (1):112-122.

Analytics

Added to PP
2022-12-05

Downloads
0

6 months
0

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Author's Profile

Paisley Livingston
Lingnan University

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references