Husserl on Pictures and Intentional Objects

Review of Metaphysics 26 (4):670 - 680 (1973)
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Abstract

The DIALOG between Husserlian Phenomnnology and Analytic Philosophy is severely hampered by the fact that much of the secondary literrature on phenomenology fails to pay attention to certain subtile semantical distinctions which are basic for a clear understanding of epistemological issures. Some European Phenomenologists even take pride in their neglect of what they consider to be shallow scholastic quibbling. I hope to remedy this short-coming by outlining in this paper what I believe to be the keypoints of Husserl's theory of perception and theory of meaning. My apprach will be developmental because contrary to popular belief phenomenology has not been revealed in ont instantaneous intuition; on the contrary Husserl's views developed and shifted constantly throughout his life.

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