How philosophical characterizations of a musical work lose sight of the “music” and how it might be put back

In Eero Tarasti (ed.), Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 121--63 (1995)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,475

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Music.Nicholas Cook - 2010 - New York, NY: Sterling.
The Interpretation of music: philosophical essays.Michael Krausz (ed.) - 1993 - New York: Oxford University Press.
The musical work: reality or invention?Michael Talbot (ed.) - 2000 - Liverpool: Liverpool University Press.
Ingarden and the problem of jazz.Bruce Ellis Benson - 1993 - Tijdschrift Voor Filosofie 55 (4):677 - 693.
Perfect Compliance in Musical History and Musical Ontology.John Dyck - 2014 - British Journal of Aesthetics 54 (1):31-47.

Analytics

Added to PP
2014-01-28

Downloads
9 (#1,244,087)

6 months
2 (#1,202,576)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Cynthia M. Grund
University of Southern Denmark

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references