Kultur und Ästhetik in der kulturellen Moderne: Zur epochemachenden Bedeutung von Ästhetik und Philosophie, Kunst und Architektur im 20. Jahrhundert

Verlag Karl Alber (2023)
  Copy   BIBTEX

Abstract

The central theme of this work is on the one hand the "disintegration of unity" and on the other hand the "unfolding of multiplicity". Cultural modernity wanted to legitimize all human knowledge with the help of 'grand narratives' and combine it into a unit. To this end, she has produced three meta-narratives. At the beginning of the 20th century, however, artists, writers, and philosophers began to doubt and dispute the 'unity of knowledge'. Ultimately, their assessments have meant that today we can no longer seriously believe in the relevance of terms such as 'totality'. So today we are trying to bring unity and multiplicity into a relationship of cultural mediation.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,612

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Max Benses technologische Ästhetik und der Paradigmenwechsel der Ästhetik im Zeitalter der Technik.Siyu Dai - 2019 - In Andrea Albrecht, Masetto Bonitz, Alexandra Skowronski & Claus Zittel (eds.), Max Bense: Werk - Kontext - Wirkung. Berlin: J.B. Metzler. pp. 273-290.

Analytics

Added to PP
2023-06-22

Downloads
8 (#517,646)

6 months
2 (#1,816,284)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references