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  1.  10
    Das Literarische Kunstwerk.Karl Aschenbrenner - 1961 - Philosophy and Phenomenological Research 22 (2):281-282.
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  2.  42
    Reflections on PoetryOn the Aesthetic Education of Man.Charles Edward Gauss, Alexander Gottlieb Baumgarten, Karl Aschenbrenner, William B. Holther, Friedrich Schiller & Reginald Snell - 1955 - Journal of Aesthetics and Art Criticism 13 (4):537.
  3.  59
    Psychologism in Hume.Karl Aschenbrenner - 1961 - Philosophical Quarterly 11 (42):28-38.
  4. Critical reasoning.Karl Aschenbrenner - 1960 - Journal of Philosophy 57 (20/21):654-665.
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  5. Aesthetics and logic: An analogy.Karl Aschenbrenner - 1964 - Journal of Aesthetics and Art Criticism 23 (1):63-79.
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  6. The Coming Supremacy of the Aesthetic.Karl Aschenbrenner - 1965 - Diogenes 13 (50):13-24.
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  7.  73
    Aesthetic and other forms of value.Karl Aschenbrenner - 1979 - British Journal of Aesthetics 19 (4):291-301.
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  8.  5
    A Companion to Kant's Critique of Pure Reason: Transcendental Aesthetic and Analytic.Karl Aschenbrenner - 1983 - Upa.
    Provides comment on the first of the three primary sections of Kant's Critique; the analytical, the dialectical, and the methodological. The analytical section runs from Kant's Introduction to nearly the end of the Analytic of Principles, and is concerned with the nature, foundations, and the limits of empirical knowledge.
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  9.  3
    Analysis of Appraisive Characterization.Karl Aschenbrenner - 1983 - Journal of Aesthetics and Art Criticism 42 (4):457-459.
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  10.  22
    Aesthetic theory. Conflict and conciliation.Karl Aschenbrenner - 1959 - Journal of Aesthetics and Art Criticism 18 (1):90-108.
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  11.  13
    Aesthetic Value, Engineering, and the Future.Karl Aschenbrenner - 1970 - The Journal of Aesthetic Education 4 (1):105.
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  12.  35
    Conceptual Determination of Aesthetic Experience.Karl Aschenbrenner - 1976 - Dialectics and Humanism 3 (2):107-115.
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  13.  37
    Creative receptivity.Karl Aschenbrenner - 1963 - Journal of Aesthetics and Art Criticism 22 (2):149-151.
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  14.  7
    Evidence for Appraisals.Karl Aschenbrenner - 1973 - Proceedings of the XVth World Congress of Philosophy 2:161-165.
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  15.  4
    G. E. Moore's Analysis of Beauty.Karl Aschenbrenner & Teddy Brunius - 1966 - Journal of Aesthetics and Art Criticism 24 (3):450.
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  16.  21
    Intention and Understanding.Karl Aschenbrenner - 1954 - Journal of Symbolic Logic 19 (2):138-138.
  17. Implications of Frege's philosophy of language for literature.Karl Aschenbrenner - 1968 - British Journal of Aesthetics 8 (4):319-334.
  18.  2
    The Autonomy of World-Views.Karl Aschenbrenner - 1988 - Philosophie Et Culture: Actes du XVIIe Congrès Mondial de Philosophie 2:488-491.
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  19.  6
    The concepts of value.Karl Aschenbrenner - 1971 - Dordrecht,: Reidel.
    The task of presenting for explicit view the store of appraisive terms our language affords has been undertaken in the conviction that it will be of interest not only to ethics and other philosophical studies but also to various areas of social science and linguistics. I have principally sought to do justice to the complexities of this vocabulary, the uses to which it is put, and the capacities its use reflects. I have given little thought to whether the inquiry was (...)
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  20.  11
    The Concept of Coherence in Art.Karl Aschenbrenner - 1986 - Journal of Aesthetics and Art Criticism 45 (2):209-211.
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  21. The concepts of value.Karl Aschenbrenner - 1971 - Dordrecht,: Reidel.
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  22.  6
    The Concepts of Criticism.Karl Aschenbrenner - 2011 - Springer.
    Tbis inquiry may be thought of as a sequel to The Concepts of Value and as an extension of the brief core-vocabulary of aesthetic concepts found in one of the appendices to it. In terms of sheer numbers, most of the value concepts of our language are to be found in the area of human relations and of the aesthetic. There are also other value vocabularies, shorter but equally important, for example, the cognitive and logical. These and other objects of (...)
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  23.  3
    The Derivation and Completeness of the Analogies of Experience.Karl Aschenbrenner - 1974 - In Gerhard Funke (ed.), Akten des 4. Internationalen Kant-Kongresses: Mainz, 6.–10. April 1974, Teil 2: Sektionen 1,2. De Gruyter. pp. 175-178.
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  24.  18
    The Philosopher's Interest in Art.Karl Aschenbrenner - 1971 - The Journal of Aesthetic Education 5 (1):11.
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  25.  40
    The roots of conflict and action.Karl Aschenbrenner - 1964 - Inquiry: An Interdisciplinary Journal of Philosophy 7 (1-4):245 – 267.
    To understand human action in general we must look toward its determinants in the agent's cognitive assessment of an existing situation and in the attitudes this has prompted. But we cannot fully determine why a deed is done without reference also to evaluative appraisal which reveals basic commitment to prescripts. Naturalism either overlooks the autonomy of commitment vis- -vis attitude and cognitive assessment or, erroneously assimilating it to attitude, wholly distorts the plain fact of the clash of duty and inclination. (...)
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  26.  7
    Vorlesungen uber Asthetik.Karl Aschenbrenner & Friedrich Kainz - 1955 - Journal of Aesthetics and Art Criticism 14 (2):269.
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  27.  23
    What is pitch?A note on the dissociation of language and nature.Karl Aschenbrenner - 1972 - Inquiry: An Interdisciplinary Journal of Philosophy 15 (1-4):458 – 462.
    Terms for the pitch of tones, such as 'high-low' do not describe pitch and can interfere with our apprehending such data for what they are in their sensuous uniqueness. Very different alternatives such as 'narrow-broad' or French aigu-grave serve equally well. In listening to music the first requisite is the apprehension of 'uncategorized' tones, the words for them serving only as a way of marking the fact of their differences. This must lead us to reaffirm what was said by Gorgias (...)
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  28.  17
    Aesthetic Theories: Studies in the Philosophy of Art.Charles E. Gauss, Karl Aschenbrenner & Arnold Isenberg - 1965 - Journal of Aesthetics and Art Criticism 24 (1):131.
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  29.  12
    Kunst und Kult, zur Asthetik und Philosophie der Kunst in der Wende vom 19. zum 20. Jahrhundert.Karl Aschenbrenner - 1966 - Journal of Aesthetics and Art Criticism 24 (3):451-452.
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  30.  14
    The Aesthetic Sentiment; A Criticism and an Original Excursion.Karl Aschenbrenner - 1942 - Journal of Aesthetics and Art Criticism 2 (5):62-64.
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  31. George Berkeley. Lectures Delivered before the Philosophical Union of the University of California.S. C. Pepper, Karl Aschenbrenner & Benson Mates - 1959 - Philosophy 34 (128):75-77.
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  32.  11
    The Manifold in Perception: Theories of Art from Kant to Hildebrand.Karl Aschenbrenner - 1973 - Journal of Aesthetics and Art Criticism 32 (1):121-122.
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  33.  6
    Inquiries into the Fundamentals of Aesthetics. [REVIEW]Karl Aschenbrenner - 1975 - Journal of Aesthetic Education 9 (4):115.
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  34.  10
    R. Ingarden's "Das Literarische Kunstwerk". [REVIEW]Karl Aschenbrenner - 1961 - Philosophy and Phenomenological Research 22 (2):281.
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  35.  6
    The Foundations of Aesthetics. [REVIEW]Karl Aschenbrenner - 1980 - Journal of Aesthetic Education 14 (2):119.
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  36.  3
    David Hume on Criticism. Figura. [REVIEW]Karl Aschenbrenner - 1953 - Journal of Aesthetics and Art Criticism 12 (1):128-129.
  37.  15
    Analyse Des Poetischen Denkens. [REVIEW]Karl Aschenbrenner - 1957 - Philosophical Review 66 (2):279-281.