Abstract

From the beginning of the xx century onwards, European art has gone through a remarkable mutation since Picasso shattered and chopped forms in painting through cubism, and Duchamp contemporaneously sabotaged the very idea of art with his invention of the ready made. Starting from an extensive consideration of this mutation, we tried and questioned the impact of the duchampean gesture and other subsequent artistic practices, by means of a frame of esthetic and philosophical reflection focused on the notions of art, work of art, beauty, sublime, judgment of taste, spectator, ready made, and esthetic experience, inter alia. Also, our discussion questions the role of fiction in art, by means of an excerpt of a literary narration whose protagonists, a painter and his slave, seek, by the workings of drawing, to inscribe suffering and pardon at the heart of the creation act. We are thus led to think that whatever lies at the source of any interpretation of the [work of] art is an enigma and a conflict which cannot be seen through.