When we speak of the aesthetic, various things may come to mind. Oftentimes, we think of aesthetic philosophy; we think of taste, the work of art, and the concept of genius. We might also consider the predominant categories of aesthetic judgment: the beautiful and the sublime, in addition to any number of other categories that have been brought into the discussion over time.1 We might think of artistic effects, or, with a more historical focus, of the various periods and schools (...) of art. But, with the proliferation of concepts, categories, styles, and critical perspectives, all often concerned with aesthetic objects, art works, and their effects on the spectator, we remain firmly within the framework of aesthetic... (shrink)