Abstract

Two paradoxes seem to characterise the method of the critique of ideology. The first has to do with the fact that ideologies are “both true and false” (Adorno). The second has to do with the fact that the critique of ideology seems to carry both a normative and a descriptive dimension. The article argues that these two paradoxes disappear when the critique of ideology is addressed by way of a Hegelian mode of immanent critique. Such an approach highlights both the specific normative claim of the critique of ideology and the specific problematic which it exemplifies.