Abstract

Marcuse’s philosophy of nature is closely bound up with his concepts of the erotic and the aesthetic. This paper discusses the connection and shows how themes from the early Marx, Heideggerian phenomenology, and Hegel come together in his work. Marcuse’s early writings under the influence of Heidegger focus on the unity of the living human subject and its environment. The later works develop a similar conception in terms of the aesthetic relation to nature and technological transformation.