- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
The Film Sense
Houghton Mifflin Harcourt (1947)
Abstract
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Magic and Myth of the MoviesThe Film Sense.Milton S. Fox, Parker Tyler, Sergei M. Eisenstein & Jay Leyda - 1950 - Journal of Aesthetics and Art Criticism 8 (3):203.
Herausforderung Eisenstein.Oksana Bulgakowa & Akademie der Kèunste der Deutschen Demokratischen Republik - 1989 - Akademie der Kèunste der Deutschen Demokratischen Republik.
Theory of Film: The Redemption of Physical Reality.Siegfried Kracauer - 1997 - Princeton University Press.
Film, Art, and the Third Culture: A Naturalized Aesthetics of Film.Murray Smith - 2017 - Oxford, UK: Oxford University Press.
The Influence of Traditional Japanese Aesthetics on the Film Theory of Sergei Eisenstein.Steve Odin - 1989 - The Journal of Aesthetic Education 23 (2):69.
Analytics
Added to PP
2015-02-03
Downloads
3 (#1,213,485)
6 months
1 (#1,912,481)
2015-02-03
Downloads
3 (#1,213,485)
6 months
1 (#1,912,481)
Historical graph of downloads
Citations of this work
Multimodal genres and transmedia traversals: Social semiotics and the political economy of the sign.Jay Lemke - 2009 - Semiotica 2009 (173):283-297.
Salman Rushdie, aesthetics and Bollywood popular culture.Vijay Mishra - 2012 - Thesis Eleven 113 (1):112-128.
Literatura y cine en la vanguardia francesa: una arqueología visual.Antonio Ansón - 2014 - Arbor 190 (768):a159.
From Eco’s Aperturato Fractal Narrative: Recursion as a Tool of Order in Contemporary Narratives.German A. Duarte - 2017 - Human and Social Studies. Research and Practice 6 (1):13-33.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-68866f4b87-6mvtb uwo