- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Theory of Film: The Redemption of Physical Reality
Princeton University Press (1997)
Abstract
This study explores the distinctive qualities of the cinematic medium. It includes an introduction which examines "Theory of Film" in the context of Kracauer's extensive film criticism from the 1920s, and provides a framework for appreciating its significance in contemporary film theory.
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Theory of Film: The Redemption of Physical Reality.Siegfried Kracauer - 1961 - Science and Society 25 (4):375-377.
Redeeming Kracauer’s Theory of Film: An Examination of the Importance of Material Aesthetics.Jeeshan Gazi - 2016 - Substance 45 (1):66-80.
Cinema approaching reality: locating chinese film theory.Victor Fan - 2015 - London: University of Minnesota Press.
European Film Theory and Cinema: A Critical Introduction.Ian Aitken - 2001 - Indiana University Press.
Projecting illusion: film spectatorship and the impression of reality.Richard Allen - 1995 - New York: Cambridge University Press.
The ways of film studies: film theory & the interpretation of films.Gaston Roberge - 1992 - Delhi: Ajanta Publications.
Emotions, ethics, and cinematic experience: new phenomenological and cognitivist perspectives.Robert Sinnerbrink (ed.) - 2021 - New York: Berghahn Books.
Cinematic interfaces: film theory after new media.Seung-Hoon Jeong - 2013 - New York, NY: Routledge.
Analytics
Added to PP
2015-02-02
Downloads
7 (#1,405,108)
6 months
2 (#1,446,842)
2015-02-02
Downloads
7 (#1,405,108)
6 months
2 (#1,446,842)
Historical graph of downloads
Citations of this work
Embodied Simulation. Its Bearing on Aesthetic Experience and the Dialogue Between Neuroscience and the Humanities.Vittorio Gallese - 2019 - Gestalt Theory 41 (2):113-127.
Another Look at Heideggerian Cinema: Cinematic Excess, Antonioni's Dead Time and the Film-Photographic Image as Copy.Michael Josiah Mosely - 2018 - Film-Philosophy 22 (3):364-383.
Visual Culture and the Fight for Visibility.Markus Schroer - 2014 - Journal for the Theory of Social Behaviour 44 (2):206-228.
The Dardenne Brothers and the Invisible Ethical Drama: Faith without Faith.John Caruana - 2016 - Religions 7 (5):43.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-6686886f5-xdvnm uwo