„Print the legend“: Revisionismus in John Fords Fort Apache und The Man Who Shot Liberty Valance

In Waldemar Zacharasiewicz & Ludwig Nagl (eds.), Ein Filmphilosophie-Symposium Mit Robert B. Pippin: Western, Film Noir Und Das Kino der Brüder Dardenne. De Gruyter. pp. 103-112 (2016)
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10.1515/9783110429831-009

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