Encountering Tragedy contests Rousseau's munificent ontological presumption, probes the necessary and disturbing fictions of the Founding and delineates the ...

Pluralism's renaissance, thanks to William Connolly, Chantal Mouffe and others, has established its position as the distinctive voice of late modern democracy. It thus calls for an explicit theory of tragedy to address the antagonisms and enmities it reflects and fosters. Treating Machiavelli, Rousseau, Nietzsche, Weber and Camus as members of a minor tradition of thought, I articulate a political conception of tragedy that flows not from the failures of politics but, ironically, from politics at its best. A tragic understanding (...) can provide a valuable re-description of intractable political conflicts that simultaneously de-moralizes them; it can also furnish vibrant ethical-political resources for an ethos of commitment and accountability suited to life in a democratic pluralist polity. Building on these thinkers, I propose the introduction of a Dionysian festival that subverts, even disables, mere patriotic celebration and turn to a classic in American cinema, The Man Who Shot Liberty Valance, to explore a tragic conception of political life that can be a source of inspiration and energy in a revitalized democratic community. (shrink)

Abraham Lincoln’s hallowed place in American memory is secure: He saved the Union, put an end to slavery, and was assassinated for these very successes. At the same time, Lincoln’s many undeniable achievements came at terrible—and lasting—democratic cost. Informed by the work of Carl Schmitt and Giorgio Agamben, this essay aspires to illuminate that cost by analyzing two cases where Lincoln exercised a sovereign decisionism—one involving the exile of Ohio politician Clement Vallandigham for publicly opposing the Civil War and the (...) draft, a second involving the mass execution of Dakota Sioux Indians for daring to rise up and enact their own sovereign prerogatives during the war. This decisionism reveals Lincoln’s problematic resort to anti-political practices to deal with adversaries. Given the damage Lincoln did to American democracy, the essay also investigates what he might have done to make amends for it. Finally, it explores how Lincoln’s place in American history might be remembered more agonistically, architecturally speaking, on the Mall in Washington, D.C. (shrink)

Pluralism's renaissance, thanks to William Connolly, Chantal Mouffe and others, has established its position as the distinctive voice of late modern democracy. It thus calls for an explicit theory of tragedy to address the antagonisms and enmities it reflects and fosters. Treating Machiavelli, Rousseau, Nietzsche, Weber and Camus as members of a minor tradition of thought, I articulate a political conception of tragedy that flows not from the failures of politics but, ironically, from politics at its best. A tragic understanding (...) can provide a valuable re-description of intractable political conflicts that simultaneously de-moralizes them; it can also furnish vibrant ethical-political resources for an ethos of commitment and accountability suited to life in a democratic pluralist polity. Building on these thinkers, I propose the introduction of a Dionysian festival that subverts, even disables, mere patriotic celebration and turn to a classic in American cinema, The Man Who Shot Liberty Valance, to explore a tragic conception of political life that can be a source of inspiration and energy in a revitalized democratic community. (shrink)