Abstract
In telling the story of Tereus, Procne, and Philomela , Ovid transformed tragedy—the Tereus of Sophocles1—into epic. The result was a narrative that followed the tragic plot but with a very different presentation. For example, Ovid incorporated into his episode events from the play's prologue, such as the marriage of Procne and Tereus , the birth of Itys , and the voyage of Tereus to Athens . In addition, he brought offstage action into the limelight, including the violation of Philomela , the slaughter of Itys , and the metamorphoses of Tereus and the sisters . Finally, he explicated innermost thoughts, like the lust of Tereus and the rage of Procne — emotions whose external manifestations would have been clear in performance, but whose effects the reader perceives from the inside out. So sequential and immediate a treatment owes much to the shift from one genre to the other