Philosophizing through the moving image: The case of Serene velocity

Journal of Aesthetics and Art Criticism 64 (1):173–185 (2006)
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10.1111/j.0021-8529.2006.00239.x

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Author's Profile

Noel Carroll
CUNY Graduate Center

Citations of this work

Are There Definite Objections to Film as Philosophy? Metaphilosophical Considerations.Diana Neiva - 2019 - In Christina Rawls, Diana Neiva & Steven S. Gouveia (eds.), Philosophy and Film: Bridging Divides. New York: Routledge Press, Research on Aesthetics. pp. 116-134.
Socratic Film.Nicholas Diehl - 2016 - Journal of Aesthetics and Art Criticism 74 (1):23-34.
Introduction: The Leftovers, Philosophy and Popular Culture.Susana Viegas - 2021 - Cinema: Journal of Philosophy and the Moving Image 13 (13):7-20.
Phenomenological Preconditions of the Concept of Film-as-Philosophy.Shawn Loht - 2015 - Journal of Aesthetics and Phenomenology 2 (2):171-185.

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References found in this work

The wheel of virtue: Art, literature, and moral knowledge.Noel Carroll - 2002 - Journal of Aesthetics and Art Criticism 60 (1):3–26.
The Philosophical Limits of Film.Bruce Russell - 2000 - Film and Philosophy:163-167.
Philosophy screened: Experiencing the matrix.Thomas E. Wartenberg - 2003 - Midwest Studies in Philosophy 27 (1):139–152.
Moving Pictures.Arthur C. Danto - 1979 - Quarterly Review of Film Studies 4 (1):1-21.
Interpreting Films Philosophically.Thomas E. Wartenberg - 2002 - Film and Philosophy 5:164-171.

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