Deleuze and Music

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Edinburgh University Press (2004)
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Abstract

Drawing out the 'unwritten' book on music from which Deleuze left many clues, but no manuscript, the essays in this volume explore what he said and thought about music and how music informed his thinking.

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ISBN(s)

147446548X   9781474465489   0748618694   0748618910

DOI

10.1515/9781474465489
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Chapters

Introduction: Deleuze and Music.  (pages 1-19)Jan Buchanan
Chapter 1 Studies in Applied Nomadology: Jazz Improvisation and Post-Capitalist Markets.  (pages 20-35)Eugene Holland
Chapter 2 Is Pop Music?  (pages 36-53)Greg Hainge
Chapter 3 Deleuze, Adorno and the Composition of Musical Multiplicity.  (pages 54-75)Nick Nesbitt
Chapter 4 Affect and Individuation in Popular Electronic Music.  (pages 76-94)Drew Hemment
Chapter 5 Violence in Three Shades of Metal: Death, Doom and Black.  (pages 95-117)Ronald Bogue
Chapter 6 Becoming-Music: The Rhizomatic Moment of Improvisation.  (pages 118-139)Jeremy Gilbert
Chapter 7 Rhythm: Assemblage and Event.  (pages 140-158)Phil Turetsky
Chapter 8 What I Hear is Thinking Too: The Deleuze Tribute Recordings.  (pages 159-175)Timothy S. Murphy
Chapter 9 Music and the Socio-Historical Real: Rhythm, Series and Critique in Deleuze and O. Revault d'Allonnes.  (pages 176-195)Jean-Godefroy Bidima
Chapter 10 Cosmic Strategies: The Electric Experiments of Miles Davis.  (pages 196-216)Marcel Swiboda

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Becoming‐Teachers: Desiring students.Duncan Mercieca - 2012 - Educational Philosophy and Theory 44 (s1):43-56.

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