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  1.  3
    Noise Matters: Towards an Ontology of Noise.Greg Hainge - 2013 - Bloomsbury Academic.
    Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen). Greg Hainge sets out to define noise in this way, to find within it a series of operations common across (...)
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  2.  11
    Blanchot and the Resonant Spaces of Literature, Sound, Art and Thought.Greg Hainge - 2018 - Angelaki 23 (3):94-111.
    This article sets out to think through the double absence of literary language posited by Blanchot in L’Espace littéraire in the shadow cast by a consideration of Alvin Lucier’s piece I am sitting in a room and the sound installation practice of Bernhard Leitner. What I wish to suggest is that a consideration of these sound works enables us to identify a parallelism in the mechanics of the literary sign that creates the space of literature in Blanchot and the phenomenological (...)
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  3.  13
    Benjamin Thomas, Ed. Tourner le Dos: Sur L’Envers du Personnage au Cinéma.Greg Hainge - 2015 - Film-Philosophy 19 (1).
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    Carax and the Ambiguities - A Book That Needs To Fail, Perhaps, on Fergus Daly and Garin Dowd's Leos Carax.Greg Hainge - 2005 - Film-Philosophy 9 (4).
    Fergus Daly and Garin Dowd _Leos Carax_ Manchester and New York: Manchester University Press, 2003 ISBN 0-7190-6315-9 188 pp.
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    In Search of Frenchness Lost?Greg Hainge - 2002 - Film-Philosophy 6 (2):28.
    _French Cinema in the 1990s: Continuity and Difference_ Edited by Phil Powrie Oxford: Oxford University Press, 1999 ISBN 0-19-815958-7 286 pp.
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