To overcome the art-craft dualism, a root and branch reform of a traditionally hegemonic view on human activities is needed. By focusing on Gilbert Simondon’s fundamental claims, the article aims to display the most important consequences of a more in-depth understanding of poiesis, especially in relation to its reintegration with the sphere of praxis and collective ethos and to its connections with the idea of creativity. The field of production will lastly be associated with the concept of “living practice”, regarded (...) as important for the definition of a contemporary poietics. (shrink)

This paper addresses a potentially major shift in environmental and landscape aesthetics, which reassesses the traditional view on landscape in light of the idea of global environment. Landscaping is thus rethought as a mode of creatively being on Earth. For this purpose, the paper begins by providing a definition of Earth as a completely semiotized and therefore “plastic” space which is continuously re-shaped by traces, semantic processes and human practices. Earth-shaping practices are then investigated as gestures of poetic overwriting, capable (...) of inhabiting interconnected non-equilibrium landscapes. The paper concludes by examining the case-study of DOM-, an artistic collective that performs ways of dwelling in damaged territories and exploited environments. (shrink)