Abstract

This article argues that language without the body does not `mean' at all; corporeality provides language with meaning under socio-cultural constraints. Traditional ways of interpretation have been dominated by the transference of linguistic interpretation to the non-linguistic. At the same time, traditional linguistically focused interpretation is heavily laden with orthodox value systems. This makes the body a secondary phenomenon. In many art forms, however, the body is primary and yet transient. This requires a reversal of traditional approaches. Recent liminal performances have attempted to offer a non-verbal critique of both that linguistic dominance and such value orthodoxy. Unless the immediacy of the body, including corporeal readings (visual, tactile, haptic, olfactory, gustatory, kinetic, proximic, etc.) is made the focus of interpretation, such recent experimental genres as Viennese Actionism, Tanztheater, digitized music, high-definition television and its filmic consequences, cannot be appreciated. However, I suggest it would be a mistake to read their presentations of the immediacy of the body as an escape from representation altogether. Rather, what we are dealing with here is a radical transvaluation of corporeality. The article questions some recent theories from this perspective, using selected excerpts from liminal performances to illustrate this critique.