Abstract

In his dialogue with Blanchot (The Disavowed Community vs. The Unavowable Community), Jean-Luc Nancy intended to denounce, but without opposing another figure, the idea according to which the community of lovers, as exemplified by Marguerite Duras in The Disease of Death, would be the accomplishment of the community as a work of death. On the basis of a reading of Richard Dehmel’s poem, Verklärte Nacht (Transfigured Night), we would like here to outline the schema of a couple in which the unspeakable is transfigured into the power of the advent of a shared community.