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  1. Antistructure and the roots of religious experience.Connor Wood - 2020 - Zygon 55 (1):125-156.
    The cognitive and evolutionary sciences of religion offer a standard model of religious representations, but no equivalent paradigm for investigating religiously interpreted altered states of consciousness (religious ASCs). Here, I describe a neo‐Durkheimian framework for studying religious ASCs that centralizes social predictive cognition. Within a processual model of ritual, ritual behaviors toggle between reinforcing normative social structures and downplaying them. Specifically, antistructural ritual shifts cognitive focus away from conventional affordances, collective intentionality, and social prediction, and toward physical affordances and behavioral (...)
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  • How Live Music Moves Us: Head Movement Differences in Audiences to Live Versus Recorded Music.Dana Swarbrick, Dan Bosnyak, Steven R. Livingstone, Jotthi Bansal, Susan Marsh-Rollo, Matthew H. Woolhouse & Laurel J. Trainor - 2019 - Frontiers in Psychology 9.
  • The sweet spot between predictability and surprise: musical groove in brain, body, and social interactions.Jan Stupacher, Tomas Edward Matthews, Victor Pando-Naude, Olivia Foster Vander Elst & Peter Vuust - 2022 - Frontiers in Psychology 13.
    Groove—defined as the pleasurable urge to move to a rhythm—depends on a fine-tuned interplay between predictability arising from repetitive rhythmic patterns, and surprise arising from rhythmic deviations, for example in the form of syncopation. The perfect balance between predictability and surprise is commonly found in rhythmic patterns with a moderate level of rhythmic complexity and represents the sweet spot of the groove experience. In contrast, rhythms with low or high complexity are usually associated with a weaker experience of groove because (...)
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  • The Paradox of Isochrony in the Evolution of Human Rhythm.Andrea Ravignani & Guy Madison - 2017 - Frontiers in Psychology 8:280885.
    Isochrony is crucial to the rhythm of human music. Some neural, behavioral and anatomical traits underlying rhythm perception and production are shared with a broad range of species. These may either have a common evolutionary origin, or have evolved into similar traits under different evolutionary pressures. Other traits underlying rhythm are rare across species, only found in humans and few other animals. Isochrony, or stable periodicity, is common to most human music, but isochronous behaviors are also found in many species. (...)
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  • Time After Time: william kentridge’s heterochronies.Philip Dickinson - 2022 - Angelaki 27 (5):97-112.
    This essay explores South African artist William Kentridge’s multimedia installation The Refusal of Time, first exhibited at documenta in 2012. In the material surrounding this installation, K...
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  • A Practice-Inspired Mindset for Researching the Psychophysiological and Medical Health Effects of Recreational Dance (Dance Sport).Julia F. Christensen, Meghedi Vartanian, Luisa Sancho-Escanero, Shahrzad Khorsandi, S. H. N. Yazdi, Fahimeh Farahi, Khatereh Borhani & Antoni Gomila - 2021 - Frontiers in Psychology 11:588948.
    “Dance” has been associated with many psychophysiological and medical health effects. However, varying definitions of what constitute “dance” have led to a rather heterogenous body of evidence about such potential effects, leaving the picture piecemeal at best. It remains unclear what exact parameters may be driving positive effects. We believe that this heterogeneity of evidence is partly due to a lack of a clear definition of dance for such empirical purposes. A differentiation is needed between (a) the effects on the (...)
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  • Dance Is More Than Meets the Eye—How Can Dance Performance Be Made Accessible for a Non-sighted Audience?Bettina Bläsing & Esther Zimmermann - 2021 - Frontiers in Psychology 12.
    Dance is regarded as visual art form by common arts and science perspectives. Definitions of dance as means of communication agree that its message is conveyed by the dancer/choreographer via the human body for the observer, leaving no doubt that dance is performed to be watched. Brain activation elicited by the visual perception of dance has also become a topic of interest in cognitive neuroscience, with regards to action observation in the context of learning, expertise and aesthetics. The view that (...)
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  • Enhancement of Pleasure during Spontaneous Dance.Nicolò F. Bernardi, Antoine Bellemare-Pepin & Isabelle Peretz - 2017 - Frontiers in Human Neuroscience 11.
  • A Neurodynamic Perspective on Musical Enjoyment: The Role of Emotional Granularity.Nathaniel F. Barrett & Jay Schulkin - 2017 - Frontiers in Psychology 8.
  • Hierarchical control as a shared neurocognitive mechanism for language and music.Rie Asano, Cedric Boeckx & Uwe Seifert - 2021 - Cognition 216 (C):104847.
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