We introduce a hitherto overlooked phenomenon in the cognitive and psycholinguistic study of metaphors that we termed imposed metaphoricity. We propose that a metaphorical reading can be imposed on a given expression regardless of its semantic content. We suggest that there is a class of constructions that impose metaphorical interpretation. We present findings from three experiments and from corpus-based analyses that support our proposal. Experiments 1–2 compared interpretations of expressions that can have both a literal and a metaphorical meaning when (...) embedded in a standard metaphorical form and in a form that imposes metaphoricity. In Experiment 3 we examine reaction time to such forms in an attempt to identify interference of form with early metaphorical processing. Two corpus-based analyses characterize the use of these two metaphorical constructions in natural language. We discuss the independence of metaphoricity from semantics, as demonstrated by forms that impose metaphorical interpretations. (shrink)

This paper presents a preliminary and tentative formulation of a novel empirical generalization governing the relationship between grammar and cognition across a variety of independent domains. Its point of departure is an abstract distinction between two kinds of cognitive structures: symmetric and asymmetric. While in principle any feature whatsoever has the potential for introducing asymmetry, this paper focuses on one specific feature, namely thematic-role assignment. Our main empirical finding concerns the role of language, or, more specifically, grammar, in effecting and (...) maintaining the distinction between symmetric and asymmetric cognitive structures. Specifically, whereas symmetric structures devoid of thematic-role assignment more commonly occur in a non-grammatical and usually also non-verbal medium, asymmetric structures involving thematic-role assignment are more likely to be associated with a grammatical medium. Our work draws together three independent strands of empirical research associated with three diverse phenomenological domains: compositional semantics, metaphors and schematological hybrids. These three domains instantiate conceptual combinations, bringing together two or more subordinate entities into a single superordinate entity. For compositional semantics this consists of a juxtaposition of constituent signs to form a single more complex sign; for metaphors this entails the bringing together of two different concepts in order to produce a comparison; while for schematological hybrids this involves the combination of different entities to form a single new hybrid entity. Our empirical results reveal a remarkable parallelism between the above three domains. Within each domain, symmetric structures tend to be associated with a non-verbal or otherwise non-grammatical medium, while asymmetric structures are more frequently associated with a grammatical medium. Thus, within each domain, grammar introduces asymmetry. More specifically, we find that in all three domains, the asymmetry in question is one that involves the assignment of thematic roles. To capture this effect, we posit two distinct levels, or tiers, of cognition: non-grammatical cognition, more commonly associated with symmetric structures, and grammatical cognition more conducive to asymmetric structures. Within each of the three phenomenological domains, we find the distinction between non-grammatical and grammatical cognition to be manifest in three independent realms, phylogeny, ontogeny, and the architecture of human cognition. (shrink)

ABSTRACTThis paper takes up the much-neglected figure of the closed simile, a simile in which the ground is explicitly stated, as in “the dress is as black as coal.” In the typical case, which we c...

Zeugma (“The storm sank my boat and my dreams”) is a well-recognized figure of speech whose mechanism of operation is less well understood. We suggest treating zeugma as a breach of syntactic iconicity: the syntactic form of the coordinative construction statement implies an equivalence or semantic proximity between the two objects of the verb (boat and dreams), while the objects supplied are semantically very distant. Unlike nominal metaphors and similes, in zeugmas two metaphorically-related, nonsymmetrical objects are put in syntactically symmetrical (...) positions. This feature, the breach of iconicity, registers as a surprise, an effect wholly different from that of metaphors and similes. Seeing zeugma in these terms makes it possible not just to explain its functioning beyond broad pronouncements about yoking together different items, but to tease apart syntactic and semantic factors that contribute to the level of the breach of iconicity and subsequently to the zeugma’s strength. Moreover, understanding zeugmas as a surprising breach of iconicity leads to the question of how this breach may be accommodated or made sense of. In the second part of the essay, we introduce three types of accommodation strategies, each with a distinct focus: the language, the objects, and the speaker. (shrink)