Attending--patient contemplation focused on a particular being--is a central ethical activity that has not been recognized by any of the main moral systems in the European philosophical tradition. That tradition has imagined that the moral agent is primarily a problem solver and world changer when what might be needed most is a witness. Moral theory has been agonized by dualism--motivation is analyzed into beliefs and desires, descriptions of facts and dissatisfactions with them, while action is represented as an effort to (...) lessen dissatisfaction by altering the empirical world. In Attending Warren Heiti traces an alternative genealogy of ethics, drawing from the Platonism recovered by Simone Weil and developed in the work of Iris Murdoch, John McDowell, and Jan Zwicky. According to Weil, virtue is knowledge, knowledge is embodied, and the knower is nested in an ecosystem of relationships. Instead of analyzing and solving theoretical problems, Heiti aims to clarify the terrain by setting up objects of attention from more than one discipline, including not only philosophy but also literature, psychology, film, and visual art. The traditional picture captures one important type of ethical activity: faced with a moral problem, one looks to a general rule to furnish the solution. But not all problems conform to this model. Heiti offers an alternative: to see what is needed, one attends to the particular being. (shrink)

What is lyric philosophy? The clearest response to that question is the book-length investigation by Canadian philosopher and poet Jan Zwicky. If philosophy can be defined as thinking in love with clarity, then lyric philosophy might be roughly understood as such thinking in which clarity assumes the form of resonance. Among her paradigmatic lyric philosophers, Zwicky includes (inter alia) the aphorists Herakleitos and Ludwig Wittgenstein. Lyric is distinguished by its deep structure, which is polydimensional and integrative. Epistemically, this structure responds (...) to the gestural root of meaning, which is ineffably manifest in the physical world. (shrink)

1. My topic is integrity, and the relation between an integrated structure and its component details. Let me begin with an image. The jazz trumpeter and composer Wynton Marsalis says: In American life, you have all of these different agendas, you have conflict all the time, and we’re attempting to achieve harmony through conflict. Which seems strange to say that, but it’s like an argument that you have with the intent to work something out, not an argument that you have (...) with the intent to argue. And that’s what jazz music is. You have musicians, and they’re all standing on the bandstand, and each one has their personality and their agenda. And invariably they’re going to play something that you would... (shrink)

Both Simone Weil and John McDowell analogize value or meaning to sensations such as colour or heat, and this analogy is a strategy for resisting anti‐realism. However, McDowell's analogy tacitly accepts the very dualism which he is criticizing, while Weil's analogy is both more naïve and more radical than his. Like McDowell, Weil argues that virtuous character is the actualization of a second nature, but she emphasizes the role of the body in this process. Fully trained, the agent's body is (...) a transparent medium through which she reads circumstances – and through which the circumstances, clearly perceived, express themselves in action. (shrink)