Peace encourages humans to eliminate the impulse of violence within themselves. Peace in students can drive the development of peace in their social environment. Educators should be able to play the role of peace educators to take part in creating true peace. This study aims to identify the attributes of peace educators through the life experiences of KH Ahmad Dahlan, as narrated in the novel Sang Pencerah (The Enlightener). This qualitative research employs the hermeneutic approach. The research stages include overall (...) understanding (whole), understanding of parts and obtaining an understanding of the underlying meaning. The results indicate that the attributes of peace educators, according to KH Ahmad Dahlan, include showing affection, being sincere, having a good attitude, performing practices aligning with the educators’ knowledge and teaching knowledge based on tolerance and empathy. Those attributes of peace educators can be used as a guide for developing the competencies of educators to encourage students to achieve peace-loving characters. This character supports the emergence of a culture of peace in their environment.Contribution: This research has contributed to the successful implementation of education through teachers who have the attributes of peace educators. The characteristics of peace educators based on KH Ahmad Dahlan are a reference for teachers to become educators who can create peace through school settings. (shrink)

This research examines the novel No Time Like the Present (NTLP) by Nadine Gordimer as a material object. This novel outlines the conditions and situation of the post-apartheid South African country with various post-colonial problems. Centered on the life of a mixed family, black and white, with the characters of former independence fighter Umkhonto, the novel shows how the tortured and fragmented essence of a country struggles to define itself as a post-apartheid nation. In this regard, as an implication of (...) this problem, this research formulates two problems, (1) How do the colonial memory and trauma contructed in NTLP novel? And (2) How are the subject efforts to accept and recover from the trauma? To solve those problems, this research uses Postcolonial Trauma perpective of Step Craps and combined with reconciliation theory from Dominick LaCapra as a formal object. The aims of this research to (1) describe the construction of memory and colonial trauma through narrative witnessing that has an impact on the existence of the traumatic subject in the novel, and (2) explain the traumatized subjects efforts to survive through recovery and acceptance of the trauma experienced. This research is qualitative-descriptive by analyzing data using phenomenological method. The method used to analyze the events as well as traumatic experiences constructed in literary texts. The research resulted, (1) the construction of traumatic memories originating from apartheid events is narrated in various forms of torture carried out by the white regime, both directly against Umkhonto and South African society in general, including arrests and killings, segregation and cladestine life, invasions home, and cultural racism. This experience in turn causes collective trauma, which is narrated in symptoms such as the inability of the subject, feelings of inferiority, self-loathing, to Xenophobia. Furthermore, (2) in the efforts of reconciliation, social, political, economic, and other transformations and reforms, it encourages traumatic subjects to persist in the present and in the future, even though the past is still haunted. As an entity that represents the collectivism of the South African people, Umkhonto demonstrates persistence, reconnecting experiences, knowledge and feelings between them through acceptance of reality, selecting the right listeners or mates, and working towards voting rights in elections. (shrink)

Tulisan ini bertujuan mengurai makna dan retorika penciptaan mantra Cenning Rara sebagai salah satu perwujudan sastra lisan suku Bugis di Sulawesi Selatan. Mantra Cenning Rara adalah sejenis ilmu pengasihan, berisi doa-doa pemikat, dipercaya masyarakat Bugis dapat memikat hati lawan jenisnya. Saat ini, mantra tersebut mulai tergerus dan jarang digunakan dengan sejumlah alasan, satu di antaranya terkoptasi oleh nilai-nilai religi yang berkembang belakangan. Berdasarkan latar belakang tersebut, penelitian ini dilakukan untuk (1) mengetahui makna mantra Cenning Rara, serta (2) retorika penciptaan yang (...) mendasarinya berfungsi sebagai mantra pemikat lawan jenis. Metode yang digunakan adalah deskriptif kualitatif, memperoleh data dalam bentuk narasi bukan angka. Objek penelitian ini terdiri dari dua; objek material dalam hal ini hasil transkripsi dan terjemahan mantra Cenning Rara, dan teori semiotika Riffaterre dan formula Albert B. Lord sebagai objek formal. Hasil penelitian menunjukkan bahwa mantra Cenning Rara secara heuristik mengandung makna keterpesonaan terhadap seseorang. Sementara secara hermeneutik, keterpesonaan tersebut diekspresikan tidak berdiri sendiri, tetapi dibarengi unsur-unsur seperti keyakinan, paksaan, dan ancaman; bahwa mantra adalah media yang dapat mengobati sekaligus melukai. Selain itu, retorika penciptaan mantra Cenning Rara melalui formula sebagai sarana penyampaian gagasan, selain dilandasi oleh keyakinan dan kepercayaan—juga didorong oleh kepandaian penutur dalam menciptakan wacana estetik yang ritmis dan puitis. (shrink)

This study aims to uncover the praxis of singularity and self-identity (kedirian) as presented in a short story titled Aroma Tanah Moncongloe (ATM). This research uses a descriptive-qualitative method by applying the post-marxist perspective by Antonio Negri and Jean-Luc Nancy. The results signified that there is a labeling of identity constructed by the state as a form of uniformity that is in line with the empire or external power. This uniformity can be seen from the identity of former political prisoners (...) who are isolated and find it difficult to find work. Through the concept of singularity and identity, the existence of political prisoner (ex-tapol) in turn is seen as bad, evil, and can pollute a clean society. On the other hand, this stigma forms a community of ex-tapol who were marginalized politically, socially, and economically. Furthermore, in the subject’s effort to grasp the singularity, there are two indications, shown by Nanni and the Moncongloe Tapol Community (KTM). Nanni is not tied to a single identity as a child (genealogical-biological), but tend to be an open-minded, rational, and trusting teacher (sociological). Meanwhile, KTM stands outside the global political order or empire which minimizes them being entangled in the global capitalist system. (shrink)

This study aims to reveal the impact and response to the apartheid system in shaping the collective trauma of African society through symbolic representations of suffering and social performativity through political action in “Amnesty” short story by Nadine Gordimer. This study used the cultural trauma theory by Jeffrey Alexander with descriptive qualitative method. The results of this research found that social suffering is symbolically represented with a humanist and theocentric images. Even so, the two seemingly different treatments are essentially the (...) same suffering, disguised by social and cultural symbols. Then, as a response to this suffering, there was social performativy through the political actions of social agents carried out by the Labor Union. These actions occur after going through of socio-cultural processes such as gathering, organizing, rioting, speeches, demonstrations, and accommodating or representing pain as well as distributing social awareness to arrive at the point where the apartheid system is the cause of all forms of suffering they experience. (shrink)

Women in patriarchal culture are treated unfairly and seen as second-class beings. Their presence is considered as something incidental and not essential. For this reason, this paper examines one of the short stories by Muna Masyari, a female writer from Pamekasan, Madura Sortana. Matchmaking and the myth of the Madurese have put Madurese women in a state of oppression and unfavorable conditions because of the binding culture that dominates women. Muna, using the Sortana short story as a means to advocate (...) for the value of feminism which in the context of Madurese culture is taboo to fight against. This study aims to explore the existence of women who are represented by female characters called Embu. This research method uses qualitative-descriptive research by analyzing the content of the story, looking at sentences and paragraphs related to the issue of the existence of women in Sortana short story. The theoretical concept used is existentialist feminism. From the results of the analysis, it is known that the gender injustice experienced by the Embu character in the short story is in the form of marginalization, subordination, and stereotypes. Meanwhile, through his actions, the Embu figure has the awareness to become the Self in order to be free from the Other. (shrink)

The story of “Kutukan Dapur” by Eka Kurniawan presents a colonial setting: Dutch colonialism and postcolonialism in the image of two characters, Diah Ayu and Maharani. Maharani is in patriarchal shackles, which is ingrained in her family life and social structure. Meanwhile, Diah Ayu is in the bonds of Dutch colonialism, which is brought back by the author. Both are in a subaltern position but in different conditions. Based on this description, this research asks two questions which are analyzed using (...) Gayatri Spivak's subaltern theory, (1) what the position of Diah Ayu and Maharani in "Kutukan Dapur" short story, and (2) how the subaltern is constructed through the efforts of the two characters to get out of that position is. The method used is qualitative. The narratives are classified and analyzed to understand the subaltern's position and construction and its resistance efforts. This research indicates that Maharani and Diah Ayu are subalterns of Maharani dominated by patriarchy, while Diah Ayu is dominated by Dutch colonialism. Maharani fought back, but only with an idea or ideas. Unlike Diah Ayu, she is able to fight in a real form. However, as the author, Eka is trapped in a biased construction in addition to gender bias and representation. In subaltern studies, representation is only a tool towards more real domination. The two figures seem to be fighting against the power structure (colonial and patriarchal) but are still trapped in the dominance of the other. (shrink)

Tulisan ini menggunakan teks cerpen Jangan Tanyakan Tentang Mereka yang Memotong Lidahku (JT2M2L) karya Faisal Oddang sebagai objek material dan konsep biopolitis modern Giorgio Agamben sebagai objek formal. Karya tersebut bercerita tentang seorang Bissu bernama Upe yang mengabdikan diri kepada Dewata. Bersama tokoh lainnya, mereka mengenang peristiwa berdarah yang pernah menimpa di tahun 1965. Didasarkan pada latar belakang tersebut, kajian ini bertujuan mengungkap state of exception yang dialami komunitas Bissu, serta menyingkap gambaran mereka selaku subjek usai dieksepsi dan menjadi bare (...) life (telanjang) dalam cerpen JT2M2L. Metode yang digunakan adalah kualitatif deskriptif dengan menganalisis data menggunakan teknik baca simbolik dan semantik, teknik catat kuotasi, dan teknik parafrase. Hasilnya ditemukan hadirnya eksepsi yang disengaja oleh negara melalui jalan operasi militer dan normalisasi dengan dalih keadaan darurat. Kedaruratan memungkinkan negara mengabaikan hukum dan prosedur demokratis yang pada akhirnya turut andil menciptakan homo sacer. Dari eksepsi tersebut, objektivikasi komunitas Bissu menyebabkan ditangguhkannya hak hukum, politik, dan asasinya seiring pemegang kedaulatan berhasil memproduksi bare life. Ketelanjangan tersebut berakibat komunitas Bissu dapat menjadi objek apapun bagi entitas manapun. (shrink)

Philosophy of knowledge from Islamic perspective in Indonesian Islamic universities; essays.

ABSTRAK Dalam artikel ini akan diulas mengenai akar kata worldview dan maknanya, baik dari sisi filsuf Barat, teolog Kristen, maupun ulama’ Islam. Worldview adalah pandangan hidup atau filsafat hidup yang dimiliki setiap orang, juga berupa keyakinan yang mendasar dan berimplikasi terhadap pikiran dan cara pandang seseorang terhadap sesuatu. Artikel ini berjenis kajian kepustakaan dimana data-datanya diambil dari beberapa buku terkait worldview. Metode kualitatif dengan pendekatan deskriptif-analisis penulis terapkan dalam penelitian ini. Data-data yang telah diperoleh dan dianalisa oleh penulis kemudian akan (...) dikomparasikan antara satu sama lain. Hasil penelitian ini adalah bahwa filsuf Barat, teolog Kristen, dan ulama’ Islam memiliki pandangan berbeda terkait worldview yang dipicu oleh perbedaan sumber epistemologinya. Barat dan Kristen meletakan akal sebagai sumber dalam menentukan worldview. Sehingga worldview Barat dan Kristen berubah-ubah, karena setiap akal pikiran seseorang berbeda-beda dan dapat berubah-ubah. Ini berbeda dengan makna worldview dalam Islam yang bersumber dari wahyu Ilahi. Worldview Islam bersifat absolut, karena wahyu Ilahi yang diturunkan bukan hasil produk akal pikiran manusia, akan tetapi merupakan petunjuk langsung dari Allah. Islam tidak hanya berbicara tentang apa yang nampak saja akan tetapi juga yang tidak nampak. Sedangkan Barat dan Kristen hanya membahas yang nampak oleh panca indera. Kata-kata Kunci: Worldview, Barat; Kristen; Islam. (shrink)

Abstrak: Untuk mengembangkan suatu teologi ekologi, yang dikenal sebagai ekoteologi, mesti didasarkan pada fakta mengenai keterhubungan semua ciptaan sebagai suatu ekosistem. Metodologinya adalah induktif dan interdisipliner. Kosmologi dan antropologi amat membantu memberikan data ilmiah. Data-data tersebut merupakan titik awal untuk melakukan teologi ekologi, selain sumber-sumber yang diperoleh dari Wahyu, seperti Kitab Suci, Tradisi dan Magisterium. Artikel ini merupakan suatu upaya mengembangkan teologi ekologi berdasarkan tradisi teologi Kristiani yang menggaris bawahi sejumlah titik pandang teologis, seperti penciptaan sebagai suatu proses melalui (...) itu Allah menciptakan dunia; peran khas manusia sebagai partner Allah Pencipta, selaku gambar dan rupa Allah, merawat dan memelihara ciptaan atas nama Allah; antroposentrisme tidak memiliki akar dalam teologi ekologi Kristiani. Mistisisme kosmik St. Fransiskus sebagaimana diajukan Paus Fransiskus dalam ensiklik Laudato Si’ akan menjadi bagian kedua dari artikel ini, agar dapat memahami spiritualitas ekologis yang meresap dalam seluruh ensiklik. Bagi orang-orang Kristen memelihara ciptaan merupakan suatu kewajiban yang berakar dalam iman Kristiani. Kata-kata Kunci: Teologi ekologi, ekosistem, penciptaan sebagai proses, Teosentrisme, antroposentrisme, gambar dan rupa Allah, mistisisme, penyair ontologis. Abstract: A theology on ecology, known as eco-theology, should be based on the reality of the interconnection of all creations as an ecosystem. The methodology should be both inductive and inter-disciplinary. Cosmology, biology and anthropology are helpful in contributing scientific data. The given data could be the starting points in doing a theology of ecology, besides the resources from Revelation, such as Scriptures, Tradition and Magisterium. This article is an effort to elaborate a theology of ecology based on Christian Tradition of Theology which underlines several theological points of view such as: creation as a process through which God creates the world; a special role as co-partner of the Creator for human being as “imago Dei” has to conserve and to take care of creation as God’s representative; anthropocentrism has no root on Christian theology of ecology. The Cosmic mysticism of St. Francis, promoted by Pope Francis in his encyclical letter Laudato Si’, occupies the second part of this article in order to understand ecological spirituality which emerges throughout the encyclical letter. For Christians, taking care of creation is also an imperative rooted in their Christian faith. Keywords: Theology of ecology, ecosystem, creation as a process, Theocentrism, anthropocentrism, imago Dei, cosmic mysticism, ontological poet. (shrink)