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Stephen G. Nichols [6]Stephen Nichols [3]
  1.  18
    Concepts of Criticism.Emerson R. Marks, Rene Wellek & Stephen G. Nichols - 1963 - Journal of Aesthetics and Art Criticism 22 (3):353.
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  2.  37
    Introduction: philology in a manuscript culture.Stephen G. Nichols - 1990 - Speculum 65 (1):1-10.
    In medieval studies, philology is the matrix out of which all else springs. So we scarcely need to justify the choice of philology as a topic for the special forum to which Speculum, in a historic move, has opened its pages. On the other hand, if philology is so central to our discipline, why should one postulate a “new” philology, however ironically? While each contributor answers this question in a different, though complementary, way, the consensus seems to be that medieval (...)
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  3.  16
    A Concordance of the Chanson de Roland. Joseph J. Duggan.Stephen Nichols - 1972 - Speculum 47 (2):303-304.
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  4.  15
    Erich Auerbach’s Political Philology.Stephen G. Nichols - 2018 - Critical Inquiry 45 (1):29-46.
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  5. Fortress-Churches of Languedoc: Architecture, Religion, and Conflict in the High Middle Ages. [REVIEW]Stephen Nichols - 1996 - The Medieval Review 10.
     
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  6.  11
    Henri d'Andeli, Les “Dits” d'Henri d'Andeli, ed. Alain Corbellari. Paris: Honor' Champion, 2003. Paper. Pp. 229; 1 black-and-whitefigure. €28. [REVIEW]Stephen G. Nichols - 2005 - Speculum 80 (1):238-239.
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  7. Medieval Illuminators and Their Methods of Work. [REVIEW]Stephen Nichols - 1993 - The Medieval Review 8.
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