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Robert Brain [12]Robert M. Brain [7]Robert Michael Brain [5]Robert Michael Brain [3]
  1.  21
    Muscles and Engines: Indicator Diagrams and Helmholtz's Graphical Methods.Robert M. Brain & M. Norton Wise - 1994 - In Lorenz Krüger (ed.), Universalgenie Helmholtz. Rückblick nach 100 Jahren. Akademie Verlag. pp. 124-146.
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  2.  54
    Self-Projection: Hugo Münsterberg on Empathy and Oscillation in Cinema Spectatorship.Robert Michael Brain - 2012 - Science in Context 25 (3):329-353.
    ArgumentThis essay considers the metaphors of projection in Hugo Münsterberg's theory of cinema spectatorship. Münsterberg (1863–1916), a German born and educated professor of psychology at Harvard University, turned his attention to cinema only a few years before his untimely death at the age of fifty-three. But he brought to the new medium certain lasting preoccupations. This account begins with the contention that Münsterberg's intervention in the cinema discussion pursued his well-established strategy of pitting a laboratory model against a clinical one, (...)
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  3.  10
    The pulse of modernism: physiological aesthetics in Fin-de-Siècle Europe.Robert Michael Brain - 2015 - Seattle: University of Washington Press.
    Robert Brain traces the origins of artistic modernism to specific technologies of perception developed in late-nineteenth-century laboratories. Brain argues that the thriving fin-de-siècle field of “physiological aesthetics,” which sought physiological explanations for the capacity to appreciate beauty and art, changed the way poets, artists, and musicians worked and brought a dramatic transformation to the idea of art itself.
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  4.  17
    A Tenth of a Second: A History - by Jimena Canales.Robert Brain - 2010 - Centaurus 52 (4):353-355.
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  5.  17
    Bürgerliche intelligenz.Robert M. Brain - 1995 - Studies in History and Philosophy of Science Part A 26 (4):617-635.
  6.  10
    Bonea Amelia, Dickson Melissa, Shuttleworth Sally, Wallis Jennifer. Anxious Times : Medicine & modernity in nineteenth‐century Britain. Pittsburgh, PA: University of Pittsburgh Press, 2019, vii + 312 pp. ISBN: 9780822945512. [REVIEW]Robert Brain - 2020 - Centaurus 62 (4):830-832.
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  7.  30
    Barbara Larson. The Dark Side of Nature: Science, Society, and the Fantastic in the Work of Odilon Redon. xviii + 256 pp., illus. University Park: Pennsylvania State University Press, 2005. [REVIEW]Robert M. Brain - 2007 - Isis 98 (2):408-409.
  8.  13
    Henning Schmidgen. Die Helmholtz-Kurven: Auf der Spur der verlorenen Zeit. 270 pp., illus., figs., bibl. Berlin: Merve Verlag, 2010. [REVIEW]Robert M. Brain - 2011 - Isis 102 (3):578-579.
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  9.  17
    John Bender;, Michael Marrinan. The Culture of Diagram. xvii + 265 pp., illus., bibl., index. Stanford, Calif.: Stanford University Press, 2010. $21.95. [REVIEW]Robert M. Brain - 2011 - Isis 102 (2):347-348.
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  10.  18
    Matthew Biro. The Dada Cyborg: Visions of the New Human in Weimar Berlin. 400 pp., illus., bibl., index. Minneapolis: University of Minnesota Press, 2009. $29.50. [REVIEW]Robert Brain - 2010 - Isis 101 (2):436-437.
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  11.  19
    Modernity: How Germany and Great Britain faced the early years of technology. [REVIEW]Robert M. Brain - 2007 - Minerva 45 (3):331-335.
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  12.  18
    Mark S. Micale . The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880–1940. xv + 455 pp., index. Stanford, Calif.: Stanford University Press, 2004. $26.95. [REVIEW]Robert M. Brain - 2004 - Isis 95 (4):731-732.
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  13.  8
    Ana Hedberg Olenina: Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film[REVIEW]Robert Michael Brain - 2023 - Critical Inquiry 49 (4):685-687.
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  14.  22
    Rae Beth Gordon. Dances with Darwin, 1875–1910: Vernacular Modernity in France. xiv + 311 pp., illus., bibl., index. Burlington, Vt.: Ashgate Publishers, 2009. $85.95. [REVIEW]Robert Michael Brain - 2009 - Isis 100 (4):924-925.
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  15.  19
    Safia Azzouni;, Christina Brandt;, Bernd Gausemeier;, Julia Kursell;, Henning Schmidgen;, Barbara Wittmann . Eine Naturgeschichte für das 21. Jahrhundert: Hommage à/Zu Ehren von/In Honor of Hans‐Jörg Rheinberger. 292 pp. Berlin: Max‐Planck‐Institut für Wissenschaftsgeschichte, 2011. [REVIEW]Robert Michael Brain - 2011 - Isis 102 (4):798-799.
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  16.  16
    Sven Dierig. Wissenschaft in der Machinenstadt: Emil Du Bois‐Reymond und seine Laboratorien in Berlin. 303 pp., figs., bibls. Göttingen: Wallstein Verlag, 2006. €39. [REVIEW]Robert Michael Brain - 2008 - Isis 99 (2):420-422.
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  17.  13
    Theater of MachinesJohn Tresch. The Romantic Machine: Utopian Science and Technology after Napoleon. xvii + 449 pp., illus., bibl., index. Chicago/London: University of Chicago Press, 2012. $45. [REVIEW]Robert Brain - 2015 - Isis 106 (2):401-405.
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