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Rossana Dalmonte [3]R. Dalmonte [2]
  1. The concept of hierarchy: a theoretical approach.M. Baroni, R. Dalmonte & C. Jacoboni - 1995 - In Eero Tarasti (ed.), Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 325--334.
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  2. Giosuè Carducci e la Germania.R. Dalmonte - 1963 - Convivium: revista de filosofía 31:312-346.
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  3. Mario Baroni Accompaniment formulas in Verdi's Ernani 129-140 Daniel Charles Son et temps 171-179.Rossana Dalmonte, Christie Davies, Martha Davis, François Delalande, Célestin Deliège, Françoise Escal, Bruce E. Fleming, Robert S. Hatten, Shuhei Hosokawa & Vladimir Karbusicky - 1987 - Semiotica 66:455.
     
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  4. Musical borrowings in the works of Bruno Maderna.Rossana Dalmonte - 2017 - In Jean-Jacques Nattiez, Jonathan Dunsby & Jonathan Goldman (eds.), The dawn of music semiology: essays in honor of Jean-Jacques Nattiez. Rochester, NY: University of Rochester Press.
     
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  5. The Concept of Expansion in Theories Concerning the relationships between Music and Poetry in Semiotics of Music.Rossana Dalmonte - 1987 - Semiotica 66 (1-3):111-128.
     
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