It Isn’t Done Taboo Among the British Islanders Archibald Lyall Originally published in 1930 "An admirably brisk attack on taboos." Observer "An amusingly provocative little essay." Bystander A witty and interesting contribution to the study of what may and may not be done in the British Isles. 90pp Stentor Or the Press of Today and Tomorrow David Ockham Originally published in 1927 "Vigorous and well-written, eminently readable." Yorkshire Post This volume analyzes the press of the early twentieth century, and what (...) actually constitutes news; to what degree public opinion is manipulated by the press, the rise of the tabloid press and the press of the future. 86pp. Nuntius, or Advertising and its Future Gilbert Russell Originally published in 1926 "Expresses the philosophy of advertising concisely and well." Observer This volume discusses the birth of modern advertising, the need for controls within the profession, the effectiveness of advertising and the economics of it. Contents include: Advertising Today: An Economic Necessity Advertising Today: A Social Service Advertising Tomorrow 90pp Cato Or the Future of Censorship William Seagle Originally published in 1930 "Packed with the most useful information and with the most interesting deductions and analysis." Time and Time "This brilliant and witty book" Times Literary Supplement This volume attacks the subject of censorship from numerous aspects. It surveys censorship in the past and analyzes the present-day situation. The author prophesizes a neo-Victorian campaign, which like its predecessors will inevitably fail. 90pp. (shrink)

Excerpt from Poetarum Philosophorum Fragmenta Plagulis correctis indicibusque non sine taedio confectis dum respiro et laetiore animo quid praefandum sit meditor, ecce nuntius longe tris tissimus afi'ertur, georgium kaibelium nobis litterisque acerba morte ereptum esse, qui non solum studiorum societate inde a beatissimo oon tu'oernio - Bonnensi mihi erat coniunctissimus, sed in hoc quoque communi amicorum opere velut auspex et signifer, cuius auctoritatem me aequi et decebat et iuvabat. Nam singularis graecae artis cognitio, quae in illo fuit, in nullo (...) genere litterarum magis enituit quam in Comicis, unde splendidum ante biennium factum est huius Corporis initium. Iam adu lescentem prima tirocinia in Aristophane ponere memini eundemque audio supremam fuisse moribundi curam ac querelem. Inter bos vitae laboriosae et fructuosae terminos omnem graecitatem peragravit et undique messem uberrimam rettulit; at nusquam libentius et intentius versabatur quam in atticae comoediae reliquiis. Dorienses enim, quos edidit, propter illos cpinor tetigerat.' quodsi verum est cum primi illins voluminis perfectione vix unam alteramve aequalium editionem recte posse eom parari, quid prasstaturum eum fuisse credimus, si fatum concessisset, ut ipsam 'atticam comoediam nobis ex fragmentis instauraret, in qua totus habitabat et spirabat! Aut nemo mortalium aut, si quisquam, ille et natus erat et paratus ad Menandri et aequalium umbras ex inferis citandas et in vitae lucem revocandas. Adeo in intimam eorum consuetudinem inde fesso labore atque fortasse magis etiam sensus quadam cognatione se insinuaverat. Nam tota eius indoles ad atticum istum saporem facta erat. Ut scripture eius elegantia apicum prae ceteris nitebat, ut suavissima sermocinatio mirum quantum amicos tenebat, priusquam morbi ingra veseentie tormentis animi serenitas obscurari coepta est, ita tota eius ars versus graecos et exblicandi et pangendi Praxiteleo quodam perfusa erat nitore. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

The present article has as its purpose to analyze the “spectacle” (ὄψις), from the conceptions developed in the Poetics of Aristotle, as a fundamental part in the tragic conception of Sophocles, in the work Oedipus Tyrannus. The analysis focused on the exodus of the play to demonstrate how aspects of theatrical representation are present in the tragic text.