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  1.  2
    Early Modern Aesthetics: Antony and Cleopatra and the Afterlife of Domination.Nigel Mapp - 2020 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 13 (2):169-184.
    This essay argues that Antony and Cleopatra’s pitting of Egypt against Rome is a cipher of aesthetic resistance to modern rationality. The coordinates are Adornian. Antony’s and Cleopatra’s complex identities elude the disenchanting, nominalist machinery in which diffuse indeterminacy necessitates conceptual imposition. Here, the individuals are essentially dramatized: sensate, embodied selves composed and expressed in relations of passionate recognition. The lovers’ deaths, and especially Cleopatra’s self-conscious theatre, rewrite the ascetic, dominative, and pseudo-theatrical rationality of Octavian Rome. The protest, the passion (...)
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  2.  8
    Lyotard and Aesthetics.Nigel Mapp - 2013 - Philosophy of Photography 4 (1).
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  3.  11
    Lyotard, Art, Seeing.Nigel Mapp - 2013 - Philosophy of Photography 4 (1):87-102.
  4.  12
    Paul de Man and the Image of Rhetoric.Nigel Mapp - forthcoming - Derrida Today.
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  5. Multiple Arts: The Muses II. [REVIEW]Nigel Mapp - 2007 - Radical Philosophy 142:42.
     
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