Zuerst im 2CV, dann im umgebauten VW-Bus: Das Zürcher Fotografenpaar Margrit und Ernst Baumann, 1929 bzw. 1928 geboren, begann in den 1950er-Jahren rund um den Erdball zu reisen. Ihre Fotografien publizierten sie in Zeitschriften und Zeitungen wie Stern, Neue Zürcher Zeitung oder Das gelbe Heft und brachten so die Welt in die Wohnzimmer. Kosmopolitan und neugierig kamen sie zu Motiven mit Seltenheitswert: Farbporträts von Che Guevara gehören ebenso dazu wie Reportagen über die letzten Kopfjäger im ecuadorianischen Urwald. Ein Schwerpunkt dieser (...) reich bebilderten Doppelmonografie ist ihre Reise entlang der “Panamericana” 1957-1959, die Süd- und Nordamerika verbindet. Sie fotografierten Reportagen, Porträts und Landschaftsbilder und drehten den wohl ersten Farbfilm über den legendären Verkehrsweg. Dieser Film und ein Filporträt über die beiden Fotografen sind dem Buch auf DVD beigefügt. Das Buch präsentiert Funde aus ihrem Fotoarchiv - viele Bilder erstmals im Originalausschnitt - sowie Publikationen in Zeitschriften. Der Historiker und Schriftsteller Wilfried Meichtry erzählt vom ereignisreichen Leben des Paars, das sich zeitlebens als journalistische Handwerker verstanden hat. Der Fotohistoriker Markus Schürpf ordnet ihr Werk in die Foto- und Pressegeschichte ein, Nadine Olonetzky verfasst Begleittexte zu den Bildern. Eine Entdeckung in der Schweizer Fotogeschichte. (shrink)

Cécile Wick's work, oscillating among photography, painting, and drawing, is one of the most important oeuvres in contemporary Swiss art. Solo exhibitions in various galleries and a large retrospective at the Museum of Fine Art in Berne have recently showcased her prints and etchings to great acclaim. Cécile Wick. Colored Waters offers readers the first glimpse of the artist's more recent photographs and, in particular, drawings. Watercolors, ink drawings, inkjet prints and photographs are presented in series, putting media and motifs (...) in a dialogue and revealing new aspects of Wick's work. Around 160 color reproductions of artworks are complemented with essays by Martin Jaeggi and Nadine Olonetzky on subjects such as light, traces, signs, buildings, nature, and rhythm in Wick's oeuvre. (shrink)

The artistic work of photographer Gudio Baselgia focuses on landscapes formed by nature s forces and, more recently, on the sky with the stellar and solar movements and phenomena as we see them from earth. Celestial mechanics have fascinated mankind in all known cultures, the Babylonians and ancient Egyptians as well as the Greek and Celts, the Maya, or the ancient Indians and Chinese. Until the present day we look at the sky and keep being amazed, and try to read (...) what it tells us. Many artists throughout history have been captivated by the spectacle we observe above us day and night. The modern term astrodynamics describes all movements of celestial bodies, in particular the solar system including the moon and other satellites, asteroids and comets, but also movements of stars within a stellar system or galaxy, or of galaxies towards each other. They are well understood today and depicted in coordinate systems and elaborate visualizations. Guido Baselgia s artistic project on astrodynamics and celestial phenomena has no scientific or didactic ambition. His analogue camera is used as a recorder inscribing the movement of stars on the light-sensitive surface of photographic paper. Thus Baselgia s images make traceable the trajectory of celestial bodies invisible to the human eye and show us astounding occurrences of light and shadow. Baselgia has been captivated in particular also by the phenomenon of the umbra, planet earth s shadow thrown into space. It becomes visible occasionally on a clear evening at sunset when a slight mist lies at the horizon: looking in opposite direction to the sun, a dark and sharply marked band of shadow can be seen rising while sun sets behind the observer. But also by recording sunrise and sunset at the polar circle or the tropic, Baselgia visualizes the geometry of celestial mechanics and the concurrence of forces, as well as the miracle of light as such that leaves us awestruck today as much as it did our ancestors. The new book "Guido Baselgia Light Fall" presents 80 outstanding black-and-white images from the artist s Light Fall project taken in Norway, the Tierra del Fuego archipelago in Argentina, in Ecuador, and the Swiss Alps. The brilliant tritone plates are complemented with essays by the German scholar Andrea Gnam and Swiss photography critic Nadine Olonetzky. ". (shrink)

"2009 realisierte [Jules Spinatsch] im Rahmen seiner "Surveillance Panorama Projects" während des Wiener Opernballs ein riesiges Panorama, das aus 10 008 Einzelbildern besteht. Zwei computergesteuerte Kameras nahmen diese vom Einlass der rund 7000 Gäste um 20:32 Uhr bis zum Ende des Balls um 05:17 Uhr auf. Das Sittengemälde aus chronologisch zusammengesetzten Fragmenten des umtriebigen Gesamtgeschehens zeigt eine ganze Reihe fotografischer Genres: Porträts, Stillleben, filmische Szenen und Paparazzi-Schnappschüsse.... Das Opernball-Panorama führt die Fotografie als Medium der Dokumentation, aber auch Überwachung vor Augen."--P.5 (...) of v.3. (shrink)

For more than twenty years, Swiss photographer Tobias Madörin has been working on his photo series Topos. Creating staged tableaux in the manner of nineteenth-century painters, Madörin investigates the interaction between the inhabitants and their surrounding environments in countries as diverse as Spain, Uganda, Indonesia, and Japan. His large-scale images examine communal spaces, the outskirts of metropolises, waste disposals sites, and landscapes marked by agriculture and mining. Madörin's work reveals that these locations are the products of human visions and ideals, (...) yet they are also places of environmental exploitation. This tension, as well as Madörin's intelligent and empathetic approach to his subjects, makes his photographs evocative and complex. This book includes lavish, full-page photographs, many of which have never been published, and an introductory essay by Nadine Olonetzky that explains and contextualizes the photographer's oeuvre. (shrink)