This second volume of Michael Black's commentary on Lawrence's prose works concentrates on the extraordinary sequence of nonfiction texts written between 1913 and 1917: The "Foreword" to Sons and Lovers, Study of Thomas Hardy, Twilight in Italy, "The Crown," "The Reality of Peace." In all of them Lawrence was compulsively rewriting what he called "my philosophy." They are difficult works: highly metaphorical, in places prophetically expressionist, even surreal. This extended commentary makes sense of them, treating them as a succession of (...) experimental writings that support each other, develop non-discursive modes of writing, and are linked by shared metaphors that reveal shared preoccupations. Black's highly useful analysis is like the close reading of poetry. (shrink)

It is often taken for granted that personal computers today are designed to hide technical information in order to make software seem easier. While “transparency of interaction” has influenced popular understandings of computer systems, it also shapes our engagement with software as critics. This essay examines the origins of transparent design in different models of usability proposed by IBM and Apple in response to popular concerns over the inaccessibility of personal computers in the early 1980s. By tracing how and why (...) transparency emerged from this period of crisis, we can better interrogate its justifications and imagine alternative relationships to computing. (shrink)

Representation was invented as an issue during the 17th century in response to specific developments in the technology of simulation. It remains an issue of central importance today in the design of information systems and approaches to artificial intelligence. Our cultural legacy of thought about representation is enormous but as inhibiting as it is productive. The challenge to designers of representative technology is to reshape this legacy by enlarging the politics rather than the technics of simulation.