As an international framework with broad support, the Sustainable Development Goals help to focus nations’ efforts on major issues and help policy-makers to specify areas of need for policy. While the goals are ambitious, they help to channel leaders’ thinking and action when goals are visible and normative. The goals also provide opportunity for first world nations, such as New Zealand, to examine how they apply to them. In terms of the predecessors to the SDGs, the Millennium Development Goals, New (...) Zealand's efforts have been largely geared towards aid in the Pacific, especially to help address poverty throughout the region. Despite being a ‘developed’ country, however, New Zealand has its own poverty problems, especially amongst Māori, its indigenous peoples, as well as amongst people from small Pacific Island developing states living in New Zealand. The SDGs may make important contributions in New Zealand, not only by giving further emphasis or attention to poverty as an important national prio.. (shrink)

The Call for Papers invokes a history of thinking about images in terms of Western traditions, culminating in the ‘apocalyptic discourses of today’s cultural climate’ Jacques Rancière describes in The future of the image. Not considered in this scenario are other ways of looking at, being moved by, thinking about, going with and feeling through images, which I will unfold in this paper. Starting with filmmaker Merata Mita from Aotearoa New Zealand, who contrasts living images of her ancestors in (...) documentaries, ‘very much alive’ to her, with outsiders’ selective collecting of those images ; linking with Natalie Robertson’s tracing of takiaho, by which descendants keep connections with their ancestors in film fragments alive; I will also remember Aby Warburg’s notion of Nachleben – the ‘survival’, ‘continuity’ and ‘metamorphosis’ of images and motifs, and finally engage Mitchell’s consideration of a road not taken by Rancière in contemplating The future of the image. The paper explores a range of experiences, actions, reflections and emotions bundled in the terms appropriation and iconicity: from engaged encounters to consumptive misuse in the first case, from fleeting celebrity fame to a particular form of material presence that contributes to identification and community building in the latter. By bringing Māori and Pacific ways of thinking together with minor European thought traditions the paper shows that images, as appearance into visibility and doability, can not only connect the imagination with reality. They can also open up new and old realms of possibilities through affective and effective iconicity. Whether or not this can happen depends on the prevailing kind of belonging. (shrink)