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    Monsters we met, monsters we made.Karel Kleisner & Marco Stella - 2009 - Sign Systems Studies 37 (3-4):454-475.
    Creatures living under the rule of domestication form a communicative union based on shared morphological, behavioural, cognitive, and immunologicalresemblances. Domestic animals live under particular conditions that substantially differ from the original (natural) settings of their wild relatives. Here we focus on the fact that many parallel characters have appeared in various domestic forms that had been selected for different purposes. These characters are often unique for domestic animals and do not exist in wild forms. We argue that parallel similarities appear (...)
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    Monsters we met, monsters we made.Karel Kleisner & Marco Stella - 2009 - Sign Systems Studies 37 (3/4):454-475.
    Creatures living under the rule of domestication form a communicative union based on shared morphological, behavioural, cognitive, and immunologicalresemblances. Domestic animals live under particular conditions that substantially differ from the original (natural) settings of their wild relatives. Here we focus on the fact that many parallel characters have appeared in various domestic forms that had been selected for different purposes. These characters are often unique for domestic animals and do not exist in wild forms. We argue that parallel similarities appear (...)
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    Koletised, keda kohtasime, koletised, kelle lõime.Karel Kleisner & Marco Stella - 2009 - Sign Systems Studies 37 (3/4):476-476.
    Creatures living under the rule of domestication form a communicative union based on shared morphological, behavioural, cognitive, and immunological resemblances. Domestic animals live under particular conditions that substantially differ from the original settings of their wild relatives. Here we focus on the fact that many parallel characters have appeared in various domestic forms that had been selected for different purposes. These characters are often unique for domestic animals and do not exist in wild forms. We argue that parallel similarities appear (...)
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