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    Musical Performance As an Intermedial Affair (A Case of a Pianist).Dario Martinelli & Lina Navickaitė-Martinelli - 2017 - American Journal of Semiotics 33 (1/2):83-98.
    The professional profile of a performer does not only consist of mere music playing, but calls into question a number of variables of private and public, musical and extra-musical articulation. Performers have their own personality and inclinations; they are exposed to different forms of education and influences; they develop certain technical and stylistic abilities; they find certain repertoires more suitable than others; they confront themselves with composers and their requests/indications; they have to take into account social demands to given repertoires; (...)
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  2. On musical performance as a creative process.Lina Navickaite-Martinelli - 2014 - In Taina Riikonen & Marjaana Virtanen (eds.), The embodiment of authority: perspectives on performances. New York: Peter Lang.
     
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