One of the most favourite subjects of ancient poetry is the oath of love. Previous research has taken it for granted that this oath always means the proverbial vow of eternal love, which may be broken unpunished, because no mortal can ever fulfil it. Apart from this manifoldly varied oath, however, there is also the one by which lovers deny an affair they have had, and this is, in contrast to the proverbial vow, a real, punishable perjury. This paper examines (...) respective poems of ancient literature on the basis of this distinction and aims to clear up misapprehensions and, on the whole, to reach a better understanding of ancient poetry of love. (shrink)

The account of Zeus’ love for Io, the nature of which can be defined by the reports of the ancient mythographers, the song of Orpheus in Valerius Flaccus and the ancient love poetry, has been changed into its contrary by Ovid who has turned the truly loving father of the gods into a brutal rapist. This radical reinterpretation is reflected in the fog cover that Jupiter makes rise in the „Metamorphoses“ in order not to be seen by Juno. It must (...) be read as a contrafacture of the golden cloud in the „Iliad“, under the protection of which Zeus makes love to his wife Hera. As this reinterpretation was not compatible with the father of the gods’ care for his lover after their affair had been discovered by his wife, Ovid has also changed the following account up to the salvation of Io. (shrink)

Since the 19 th c. it has been taken for granted that Apollodorus’ version of the story about the love of Zeus and Io and the killing of Argus, in which Zeus is said to have denied his love by swearing a false oath, must be traced back to Hesiod. This paper tries to show (1) that the reasons given for this assumption are not valid. They are based on a clear misunderstanding of Apollodorus’ words. In addition, the evidence adduced (...) for it from literature and early vase painting does not stand close examination. It will be argued instead (2) that Apollodorus’ version is based rather on a hellenistic model and that in it Zeus actually does not commit a perjury, but tries to save Io from Hera’s revenge. (shrink)