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Katrin Heimann [7]Katrin S. Heimann [2]
  1.  30
    Editorial: Working with others’ experience.Simon Høffding, Katrin Heimann & Kristian Martiny - 2022 - Phenomenology and the Cognitive Sciences 22 (1):1-24.
  2.  29
    The lived experience of remembering a ‘good’ interview: Micro-phenomenology applied to itself.Katrin Heimann, Hanne Bess Boelsbjerg, Chris Allen, Martijn van Beek, Christian Suhr, Annika Lübbert & Claire Petitmengin - 2022 - Phenomenology and the Cognitive Sciences 22 (1):217-245.
    Micro-phenomenology is an interview and analysis method for investigating subjective experience. As a research tool, it provides detailed descriptions of brief moments of any type of subjective experience and offers techniques for systematically comparing them. In this article, we use an auto-ethnographic approach to present and explore the method. The reader is invited to observe a dialogue between two authors that illustrates and comments on the planning, conducting and analysis of a pilot series of five micro-phenomenological interviews. All these interviews (...)
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  3.  49
    Longing for tomorrow: phenomenology, cognitive psychology, and the methodological bases of exploring time experience in depression.Federica Cavaletti & Katrin Heimann - 2020 - Phenomenology and the Cognitive Sciences 19 (2):271-289.
    The subjective experience of time in depression has been described to be altered in complex ways, with sensations of particular slowness, delay or stillness being the most often named articulations. However, the attempts to provide empirical evidence to the phenomenon of “time slowing down in depression” have resulted in inconsistent findings. In consequence, the overall claim that depressive time somehow differs from ordinary time has often been discarded as unfounded. The article argues against such conclusion, contending that the described ambiguity (...)
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  4.  36
    How Context Influences Our Perception of Emotional Faces: A Behavioral Study on the Kuleshov Effect.Marta Calbi, Katrin Heimann, Daniel Barratt, Francesca Siri, Maria A. Umiltà & Vittorio Gallese - 2017 - Frontiers in Psychology 8.
  5.  58
    “Cuts in Action”: A High‐Density EEG Study Investigating the Neural Correlates of Different Editing Techniques in Film.Katrin S. Heimann, Sebo Uithol, Marta Calbi, Maria A. Umiltà, Michele Guerra & Vittorio Gallese - 2017 - Cognitive Science 41 (6):1555-1588.
    In spite of their striking differences with real-life perception, films are perceived and understood without effort. Cognitive film theory attributes this to the system of continuity editing, a system of editing guidelines outlining the effect of different cuts and edits on spectators. A major principle in this framework is the 180° rule, a rule recommendation that, to avoid spectators’ attention to the editing, two edited shots of the same event or action should not be filmed from angles differing in a (...)
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  6.  34
    How Playfulness Motivates – Putative Looping Effects of Autonomy and Surprise Revealed by Micro-Phenomenological Investigations.Katrin S. Heimann & Andreas Roepstorff - 2018 - Frontiers in Psychology 9.
  7.  26
    Correction to: Editorial: Working with others’ experience.Simon Høffding, Katrin Heimann & Kristian Martiny - 2023 - Phenomenology and the Cognitive Sciences 22 (4):1019-1019.
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  8.  13
    About Process and Progress - Suggestions About How to Investigate Subjective Experience Most Ecologically.Katrin Heimann - 2020 - Constructivist Foundations 15 (3):253-255.
    While appreciating Oblak’s call for and investment in more ecological research designs in psychology, I point out several aspects in Oblak’s own experimental setup that might themselves derive ….
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  9. The adaptive evolution of early human symbolic behavior.Katrin Heimann, Riccardo Fusaroli, Sergio Rojo, Niels Nørkjær Johannsen, Felix Riede, Nicolas Fay, Marlize Lombard & Kristian Tylén - unknown
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