This article explores the therapeutic potential of narrative fiction during a global health crisis. We focus on The Decameron Project, a collection of short fiction by writers from around the world, commissioned by the New York Times Magazine. The Decameron Project references the narrative framework established by Giovanni Boccaccio in the mid-14th century, when the Black Death devastated Europe. Drawing on aspects of psychoanalytic theory and principles of bibliotherapy employed since the Middle Ages, we argue that The Decameron Project offers (...) strategies to simultaneously confront and contain the anxious mind. Storytelling, according to both Boccaccio and to the editors of The Decameron Project, is not merely a source of distraction but a means of survival. (shrink)

The text of this interview is based on a conversation between Bagryana Popov and Juliane Römhild on 1 September 2021. In this interview, Bagryana discusses two works which unite her research into political trauma and site-specific performance in the context of political repression under the communist regime in Bulgaria. For her choreography He is not here and the performance event Traces Bagryana returned to Sofia, the city of her birth, to explore her own family history and her grandfather’s incarceration as (...) a political prisoner. He is not here is a meditation on the body at the receiving end of political power developed in collaboration with dancer Simon Ellis. Traces takes the audience first to the courthouse in Sofia, where Bagryana’s grandfather was trialled, and then to her family’s flat where Bagryana’s daughter reads from the diaries of her grandmother. Both works were a part of Bagryana’s PhD project at Melbourne University. (shrink)