本书收录了作者22篇文章。全书共分三部分,第一部分七篇,是基本的概念分析工作;第二部分八篇,是对文化、艺术等方面的思考;第三部分六篇,是对西方哲学的研究。.

中國「最可能接近哲學家」稱號的大師， 前北大哲學系教授、當代中文世界重量級哲學作家——陳嘉映 寫給大眾的經典名著全新改版再現！ 用淵博而不瑣碎的知識、以淺白但不泛泛而談的敘述，帶領我們穿越到古希臘，一路悠遊至哥白尼、牛頓、愛因斯坦，一覽引領人類認識世界的兩大脈絡──哲學與科學的發展簡史。 人類解釋世界的努力，前有神話、巫術，後有哲學、科學。排除了千難萬險，才抵達日心說、牛頓力學、進化論、量子物理，直至今日，科學已儼然成為「真理」的代言者。 科學為什麼會取得這樣的成功？人們經驗著同樣的世界，為什麼歷史上只從歐洲產生了科學？最大的關鍵，在於希臘哲學的出現，以哲學為母體，科學逐漸茁壯，直至今日，我們對世界的認識，已由科學所主導。另一方面，我們 也為科學之成功付出了代價：用科學來逼近「真理」，卻將人的心靈排除出真理的領域之外。用數學和實驗思維樹立的科學大廈，沒有人之善惡、悲喜的位置——科學果真是這個世界的全部答案嗎？科學之外，還另有求道之途？ 一場站在人類認知發展歷史上的回望 一部明白現代哲學／科學大路線的簡要速讀 當代，我們毫不懷疑科學能逼近「真理」，卻也將人的心靈排除出真理的畫面之外。 當我們已能用數學推理感官不及之處，卻仍習慣靠經驗感受世界──這本書將帶你超越常識的表淺思維，瞭解世界觀背後的人文與科學之爭。 要談論科學的真理性及其限度，最好從科學的源頭——哲學談起。這本書既不是個開端，更不是個結論。而是試圖從反思哲學自身的歷史，獲得更清醒的自我認識，獲取新鮮的生命形態。 要理解當代的科學思想興起，與哲學處於當代的意義，本書是一部簡鍊的人類思想故事，也如同作者陳嘉映的自述：天下的道理，差不多早被前人講過，他自己則是嘗試用大眾讀者比較易懂的方式，把道理重新講述。.

The increasing number of quick response code mobile payment users heralds the coming of a cashless society. However, the extent to which the coronavirus disease 2019 pandemic accelerated the adoption of QR code mobile payment has not been sufficiently researched. Based on social learning theory, this study models how external interaction with the environment has affected the internal appraisal and behavioral intention to adopt QR code mobile payment during COVID-19. Empirical results from 248 respondents revealed that perceived severity and social (...) influence positively affected the perception of utilitarian and health benefits of respondents, which in turn influenced the behavioral intention to use the QR code mobile payment. The theoretical contribution and managerial implications of this study are also discussed. (shrink)

By revisiting Gilles Deleuze's notion of the virtual, this work examines what the virtual world means for our identity and intimacy. We sketch three effects of the virtual world: 1) the complete disintegration of public-private boundary; 2) the emerging performativity of virtual identities; 3) the destabilization of our ontology. From public life to multiplayer online role-playing games, we show the changing meaning of play in various contexts: performing, acting, and becoming. Following Richard Sennett's dramaturgical perspective of the public Man, we (...) see people proactively perform the image to construct the real-world identity. Then in the video games, players choose a virtual identity to act in the game world, transforming it into a liminal space where continued identity transitions become possible. We analyze several cases, including Otherkin and Otaku subculture, to argue that virtual identity and community can bring ontological indeterminacy and propose a program that coexists with otherness. (shrink)