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  1. Letter from the Editors.Paul Boshears, Jamie Allen & Nico Jenkins - 2011 - Continent 1 (3):148.
    continent. 1.3 (2011): 148. With this third issue of continent. we welcome you to join a conversation. The announced thematic for this issue, autonomy, evolved out of an interest to understand the contours of our being together, not necessarily those qualities or conditions that point towardsisolation. This summer brought some significant events and comminglings for our team: we sponsored a symposium, with Christian Hänggi at the historic Cabaret Voltaire in Zürich; we welcomed several new talented folks into our budding organisation; (...)
     
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  2. Note from the Editors.Nico Jenkins, Jamie Allen & Paul Boshears - 2011 - Continent 1 (2):69.
    continent. 1.2 (2011): 69. In this issue of continent. , which takes as its theme the idea of the moraine, or that which is left behind, we attempt to think, and look beyond that horizon of the possible cataclysm, not in naive ways of hope and gleeful sounds, but in an attempt to present different directions in thought and looking and hearing. Beyond the cataclysm, or within it—or even, precisely anterior to it (anterior to an event not yet happened)—there are (...)
     
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  3. Cum on Feel the Noize.Jamie Allen - 2012 - Continent 2 (1):56-58.
    continent. 2.1 (2012): 56–58 Nechvatal, Joseph, Immersion Into Noise , Open Humanities Press, 2011, 267 pp, $23.99 (pbk), ISBN 1-60785-241-1. As someone who’s knowledge of “art” mostly began with the domestic (Western) and Japanese punk and noise scenes of the late 80’s and early 90’s, practices and theories of noise fall rather close to my heart. It is peeking into the esoteric enclaves of weird music and noise that helped me understand what I think I might like art to be: (...)
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  4. Out of Sight, Out of Mind—On Guy Schofield’s “Sleepers”.Jamie Allen - 2011 - Continent 1 (1):26.
    continent. 1.1 (2011):26. As perhaps all things do, digital graphics provide ground for our clambering attempts to interrelate the ideal and the real. Computational “3D models” don’t actually model any thing. They are assumed imitative, but in contemporary production, these are vectorized thought- objects, prototypes of notions and design ideals. The photographic image on the other hand, as a pipeline of indexical pixels, is the apogee of our attempts to describe and represent the world outside. 65,536 levels of red, green (...)
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  5. Letter from the Editors.Jamie Allen, Paul Boshears & Nico Jenkins - 2011 - Continent 1 (4):229-229.
    This fourth issue of continent. was created, for you, dear reader. The result of months of back-breaking thinking, emailing, looking, clicking, watching, writing and reading, our winter issue is here. We celebrate the completion of the first year and can't wait to share with you what's in store for the next.
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  6. Letter from the Editors.Paul Boshears, Jamie Allen & Nico Jenkins - 2012 - Continent 2 (2):59-59.
    With grateful hearts we offer this, the second issue of our second volume. The result of months of back-breaking thinking, emailing, looking, clicking, watching, writing and reading, our summer issue is here. The editors could not have done this without your support. We welcome your materials for our future issues as well as your continued contributions.
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  7. Note from the Editors.Paul Boshears, Jamie Allen & Nico Jenkins - 2011 - Continent 1 (1):1-2.
    For the first issue, and seeking to engage various, disparate forces, we have chosen as a theme the idea of the "isthmus." More than simply "a narrow portion of land, enclosed on each side by water, and connecting two larger bodies of land," isthmus is also used figuratively, like the translator of Pindar who, in 1663, described a, "vain weak-built Isthmus, which dost rise Up betwixt two Eternities."So, isthmus. This we take to describe the narrow part of the throat where (...)
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