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Jan Staněk [5]J. Stanek [1]Julia Stanek [1]
  1.  5
    Hume and the Question of Good Manners.Jan Staněk - 2020 - Estetika: The European Journal of Aesthetics 46 (1):29.
  2.  21
    Daniel Salvatore Schiffer, Le dandysme, dernier éclat d'héroïsme.Jan Staněk - 2012 - Estetika: The European Journal of Aesthetics 49 (1):122-127.
    A review of Daniel Salvatore Schiffer´s Le dandysme, dernier éclat d’héroïsme (Paris: Presses Universitaires de France, 2010, 302 pp. ISBN 978-2-13-058227-4).
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  3.  4
    Daniel Salvatore Schiffer, Le dandysme, dernier éclat d’héroïsme.Jan Staněk - 2020 - Estetika: The European Journal of Aesthetics 49 (1):122.
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  4. Hume and the Question of Good Manners.Jan Staněk - 2009 - Estetika: The European Journal of Aesthetics 46 (1):29-48.
    The question of manners is important in David Hume’s examination of human nature primarily because of the weight he assigns to the so-called ‘social virtues’. Man is, for Hume, a being that naturally tends to form societies, and the study of human nature is, after all, the study of human sociability, which finds its expression in manners. The present paper shows Hume as a participant in the seventeenth and eighteenth-century discussion about the concept of politeness, a concept which oscillated between (...)
     
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  5.  10
    Spor o diletantismus a jeho podoba v literatuře české dekadence.Jan Staněk - 2007 - Estetika: The European Journal of Aesthetics 44 (1-4):85-106.
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  6.  15
    The controversy over dilettantism and its reflection in czech decadent literature.J. Stanek - 2007 - Estetika: The Central European Journal of Aestetics; Until 2008: Estetika (Aesthetics) 44 (1-4).
    The article concentrates on a key concept of the Fin de Siecle in Europe – namely, “dilettantism” and its connection with Czech Decadent literature. Dilettantism, as explained by Paul Bourget in his essay on Ernest Renan , is characterized by the individual’s refusal to forego any possible experience by adhering to a setmode of life. The “dilettante critic” originates in the idea of the “critic as artist” as developed by Oscar Wilde, who in turn is indebted to Pater’s conception of (...)
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  7.  18
    Russian Legal Realism.Jerzy Stelmach, Julia Stanek & Bartosz Brożek (eds.) - 2018 - Cham: Springer Verlag.
    This edited volume explores ideas of legal realism which emerge through the works of Russian legal philosophers. Apart from the well-known American and Scandinavian versions of legal realism, there also exists a Russian one: readers will discover fresh perspectives and that the collection of early twentieth century ideas on law discussed in Russia can be understood as a unified school of legal thought – as Russian legal realism. These chapters by renowned European and Eastern European legal philosophers add to ongoing (...)
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