Results for 'J. M. C. Chevallier'

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  1. Jean-Pierre COMETTI, Qu'est-ce que le pragmatisme?J. M. C. Chevallier - 2011 - Archives de Philosophie 74 (2):328.
     
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  2.  13
    Roman Portraiture in the Third Century A.D. - Bianca Maria Felletti Maj : Iconografia romana imperiale da Severo Alessandro a M. Aurelio Carino, 222–285 d. C. Pp. 309; 209 figs, on 60 plates. Rome: L' Erma di Bretschneider, 1958. Paper, L. 11,000.J. M. C. Toynbee - 1959 - The Classical Review 9 (03):281-.
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  3.  5
    Scattering of polarized positrons by polarized electrons.J. M. C. Scott - 1957 - Philosophical Magazine 2 (24):1472-1474.
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  4.  78
    Peirce's First Critique of the First Critique: A Leibnizian False Start.J. M. C. Chevalier - 2013 - Transactions of the Charles S. Peirce Society 49 (1):1-26.
    Four years after completing his Ph.D. on “The Psychology of Kant,” one of Peirce’s most famous students, John Dewey, published a compendium of Leibniz’s main theses, his 1888 Leibniz’s New Essays.1 Such a move from critical to pre-critical rationalism seems to echo Peirce’s judgment that to fully understand Kant, a thorough familiarity with Leibniz’s philosophy is an indispensable preliminary (N 2:186, 1899); for Kant himself “was reposing in a firm belief in the metaphysics of Leibnitz as theologized by Wolff when (...)
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  5.  5
    La réception de Charles S. Peirce en France.J. M. C. Chevalier - 2010 - Revue Philosophique de la France Et de l'Etranger 135 (2):179.
    Le philosophe américain Charles S. Peirce ne trouva, malgré ses efforts, guère d’interlocuteurs en France. On le considéra comme un mathématicien et logicien, un physicien et un psychologue fiable, mais son œuvre philosophique fut systématiquement distordue au gré des controverses franco-françaises. Nous mettons l’accent sur les lectures d’André Lalande et de Louis Couturat qui contribuèrent néanmoins à faire reconnaître en France l’originalité du père du pragmaticisme.Despite his efforts, the American philosopher Charles S. Peirce found hardly any interlocutors in France. He (...)
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  6. Crónica científico-social de Inglaterra.M. C. J. - 1918 - Ciencia Tomista 18:349-352.
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  7.  7
    Two Notes on Tacitus.J. M. C. Toynbee - 1944 - The Classical Review 58 (02):39-43.
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  8.  6
    American Academy in Rome.J. M. C. Toynbee - 1959 - The Classical Review 9 (01):70-.
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  9.  4
    Alexander as Model.J. M. C. Toynbee - 1970 - The Classical Review 20 (01):82-.
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  10.  6
    Animals in Latin Poetry.J. M. C. Toynbee - 1977 - The Classical Review 27 (01):30-.
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  11.  2
    Ancient Mosaic Art.J. M. C. Toynbee - 1967 - The Classical Review 17 (03):369-.
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  12.  5
    Architecture on Roman Coins.J. M. C. Toynbee - 1971 - The Classical Review 21 (01):122-.
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  13.  4
    Arch of Triumph.J. M. C. Toynbee - 1968 - The Classical Review 18 (02):230-.
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  14.  3
    Ancient Rome.J. M. C. Toynbee - 1952 - The Classical Review 2 (3-4):217-.
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  15.  10
    Eugen Kusch: Herculaneum. Pp. 32; 80 plates, 3 figs. Nürnberg: Hans Carl, 1960. Cloth, DM. 21.50.J. M. C. Toynbee - 1961 - The Classical Review 11 (03):312-313.
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  16.  7
    Greek Conceptions of Portraiture.J. M. C. Toynbee - 1956 - The Classical Review 6 (02):143-.
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  17.  4
    Greek Portrait Sculpture.J. M. C. Toynbee - 1956 - The Classical Review 6 (01):56-.
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  18.  2
    Roman Art.J. M. C. Toynbee - 1964 - The Classical Review 14 (03):323-.
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  19.  5
    Roman and Medieval Architecture.J. M. C. Toynbee - 1958 - The Classical Review 8 (02):177-.
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  20.  4
    Roman Coins.J. M. C. Toynbee - 1961 - The Classical Review 11 (03):280-.
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  21.  3
    Roman Imperial Art.J. M. C. Toynbee - 1969 - The Classical Review 19 (03):353-.
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  22.  2
    Roman Sarcophagi.J. M. C. Toynbee - 1958 - The Classical Review 8 (02):178-.
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  23.  3
    Roman Trophies.J. M. C. Toynbee - 1960 - The Classical Review 10 (01):71-.
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  24.  5
    The Face of Tiberius.J. M. C. Toynbee - 1956 - The Classical Review 6 (3-4):286-.
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  25.  6
    The Religious Policy of the Antonines.J. M. C. Toynbee - 1957 - The Classical Review 7 (01):74-.
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  26.  4
    Under New Management - R. A. G. Carson: Coins of the Roman Empire in the British Museum. vi: Severus Alexander to Balbīnus and Pupienus_. Pp. viii+311; 47 collotype plates. London: British Museum, 1962. Cloth, £5. 12 _s_. 6 _d. net.J. M. C. Toynbee - 1964 - The Classical Review 14 (01):98-.
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  27.  10
    Vol. iii: Portraiture. Pp. 99; 32 figs. Copenhagen: Munksgaard, 1957. Paper, Kr. 25.J. M. C. Toynbee - 1959 - The Classical Review 9 (03):210-211.
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  28.  7
    Roman Building Through the Ages.J. M. C. Toynbee - 1962 - The Classical Review 12 (03):292-.
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  29.  6
    Some arguments for propositional logic: MacColl as a philosopher.J. -M. C. Chevalier - 2011 - Philosophia Scientiae 15:129-147.
    L’article examine les raisons philosophiques, plutôt que mathématiques ou logiques, pour lesquelles MacColl a pu vouloir développer une logique propositionnelle. Nous trouvons des éléments de réponse dans le refus discret d’endosser une logique des choses, dans l’anti-psychologisme nuancé de MacColl, et dans une subtile épistémologie de la certitude liée à un usage méthodique de la grammaire.
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  30.  11
    Sur quelques ouvrages (plus ou moins) récents concernant la démocratie.J. M. C. Chevalier - 2020 - Cahiers Philosophiques 160 (1):151-160.
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  31.  11
    Animals in Roman Life and Art.J. H. Young & J. M. C. Toynbee - 1975 - American Journal of Philology 96 (4):445.
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  32. Es méthodes dans Les sciences de raisonnement. [REVIEW]J. M. C. Duhamel - 1899 - Ancient Philosophy (Misc) 9:458.
     
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  33.  8
    Gisela M. A. Richter: Roman Portraits. Pp. 6+56 half-tone plates. New York: Metropolitan Museum of Art, 1948. Paper, $.50. [REVIEW]J. M. C. Toynbee - 1950 - The Classical Review 64 (02):75-.
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  34.  2
    Ancient Rome Dorothy M. Robathan: The Monuments of Ancient Rome. Pp. 211; 16 plates, 3 plans. Rome: 'L'Erma' di Bretschneider, 1950. Paper, L. 1,250. [REVIEW]J. M. C. Toynbee - 1952 - The Classical Review 2 (3-4):217-219.
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  35.  6
    Roman Imperial Art Cornelius C. Vermeule: Roman Imperial Art in Greece and Asia Minor. Pp. xxiv+548; 185 photolithographic ills., 2 maps, 3 plans. Cambridge, Mass.: Harvard University Press (London: Oxford University Press), 1968. Cloth, £11. 17s. 6d. net. [REVIEW]J. M. C. Toynbee - 1969 - The Classical Review 19 (03):353-355.
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  36.  9
    Gisela M. A. Richter: Greek Portraits, iv. Iconographical Studies: a few suggestions. (Collection Latomus, liv.) Pp. 51; 26 plates. Brussels: Latomus, 1962. Paper, 120 B.fr. [REVIEW]J. M. C. Toynbee - 1963 - The Classical Review 13 (01):119-120.
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  37. Des méthodes dans les sciences de raisonnement.J. M. C. Duhamel - 1899 - The Monist 9:458.
     
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  38.  14
    Ancient Mosaic Art - H. P. L'Orange and P. J. Nordhagen: Mosaics: from Antiquity to the Early Middle Ages. Pp. x + 92; 4 colour plates, 110 half-tone text plates. London: Methuen, 1966. Cloth. 70 s. net. [REVIEW]J. M. C. Toynbee - 1967 - The Classical Review 17 (03):369-370.
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  39.  6
    Greek Portrait Sculpture Evelyn B. Harrison: The Athenian Agora. Results of Excavations conducted by the American School of Classical Studies at Athens. Vol. i: Portrait Sculpture. Pp. xiv + 114; 49 plates. Princeton, N.J.: American School of Classical Studies at Athens, 1953. Cloth, $6. [REVIEW]J. M. C. Toynbee - 1956 - The Classical Review 6 (01):56-59.
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  40.  3
    Resurrected City - J. J. Deiss: Herculaneum: a City Returns to the Sun. Pp. xv+174; 72 halftone photographs, 4 plans. London: Souvenir Press, 1968. Cloth, 35 s.[REVIEW]J. M. C. Toynbee - 1970 - The Classical Review 20 (01):68-69.
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  41.  2
    Rediscovering universal reason.J. -M. C. Lustiger - 2005 - Common Knowledge 11 (1):22-32.
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  42. Anterior cerebral artery.J. M. C. Brust, T. Sawada & S. Kazui - 1995 - In Julien Bogousslavsky & Louis Caplan (eds.), Stroke Syndromes. Cambridge University Press.
     
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  43.  3
    Flat Space Gravitation.J. M. C. Montanus - 2005 - Foundations of Physics 35 (9):1543-1562.
    A new description of gravitational motion will be proposed. It is part of the proper time formulation of physics as presented on the IARD 2000 conference. According to this formulation the proper time of an object is taken as its fourth coordinate. As a consequence, one obtains a circular space–time diagram where distances are measured with the Euclidean metric. The relativistic factor turns out to be of simple goniometric origin. It further follows that the Lagrangian for gravitational dynamics does not (...)
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  44.  6
    Proper-Time Formulation of Relativistic Dynamics.J. M. C. Montanus - 2001 - Foundations of Physics 31 (9):1357-1400.
    It will be argued that Minkowski's implementation of distances is inconsistent. An alternative implementation will be proposed. In the new model the proper time of an object is taken as its fourth coordinate. Distances will be measured according to a four dimensional Euclidean metric. In the present approach mass is a constant of motion. A mass can therefore be ascribed to photons and neutrinos. Mechanics and dynamics will be reformulated in close correspondence with classical physics. Of particular interest is the (...)
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  45. HOCEVAR, H. EMIL: Vom Leben zum Lebensquell. Moderne Naturwissenschaft, Anthropologie und Theologie und die Philosophie Helmut Plessners.J. M. C. C. - 1994 - Pensamiento 50 (196/198):338-339.
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  46. Cruz Cruz, Juan: Antropología de la conducta alimentaria.J. M. C. Juan - 1994 - Pensamiento 50 (196/198):340.
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  47.  8
    American Academy in Rome Memoirs of the American Academy in Rome. Vol. xxv. Pp. 193: frontispiece, 44 plates, and 40 text-figures. Rome: American Academy, 1957. Paper. [REVIEW]J. M. C. Toynbee - 1959 - The Classical Review 9 (01):70-72.
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  48.  7
    Animals in Latin Poetry André Sauvage: Étude de thèmes animaliers dans la poésie latine: le cheval—les oiseaux. (Collection Latomus, 143.) Pp. 293. Brussels: Latomus, 1975. Paper, 900 B.frs. [REVIEW]J. M. C. Toynbee - 1977 - The Classical Review 27 (01):30-31.
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  49.  3
    Roman Art Helga von Heintze: Römische Kunst. (Belser Stilgeschichte, iii.) Pp. 200; 14 colour-photographs, 166 half-tone photographs, 12 linedrawings. Stuttgart: Belser, 1969. Cloth, DM.24.80. [REVIEW]J. M. C. Toynbee - 1971 - The Classical Review 21 (03):439-442.
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  50.  7
    Roman Art Heinz Kähler: Rome and her Empire. (Art of the World, xi.) Pp. 263; 60 colour-plates, 19 half-tone plates, 46 text-figs. London: Methuen, 1963. Cloth, 48s. net. [REVIEW]J. M. C. Toynbee - 1964 - The Classical Review 14 (03):323-325.
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