Although his subject matter is far from abstract and his arguments comparatively free from obscurity, Bernard Mandeville has generally been acknowledged a difficult philosopher. It is not hard to see why. First, Mandeville deliberately sets out to generate paradoxes. Secondly, he is not a systematic writer. His views are expounded and developed in a number of works of which The Fable of the Bees is only the best known. Thirdly, and most important, he is not solely a philosopher, but also (...) a satirist. His satire is intertwined with his purely philosophical theories and his style is often highly ironic. Any interpretation of Mandeville must consider his philosophical and his satirical intentions. (shrink)

Introduction : designing and turbulent Epicureans -- The proem to Book I : philosophy and the city -- The discovery of nature and the problem of the infinite and eternal -- Philosophic resignation : living beyond hope and fear -- O' mortal, o' fool, o' criminal, o' Memmius -- Gods of the philosophers and gods of the city -- Conclusion : the modern reversal.