In the sixth mime of Herodas is described a visit by a woman called Metro to her friend Coritto. After an introduction largely taken up with abuse of Coritto's slave, Metro comes to the point: she asks, . Coritto is furious that knowledge of this precious possession has spread so far, and without answering the question asks where Coritto saw it: the reply is, . Coritto laments the faithlessness of those she thought her friends, but is consoled by Metro, who (...) repeats her question. Coritto now reveals that the craftsman was Cerdon, and describes him and his works: and she was prevented from this last only by the presence of a neighbour's slave. Metro now asks how Coritto got to know Cerdon, and on hearing that it was through Artemeis, she declares her intention of going to see her, to learn more of Cerdon, and departs . The poem ends with Coritto giving orders for the door to be closed and the hens counted. (shrink)

The fourth of Herodas is entitled in the papyrus —a title which very well describes the beginning and end of the poem, but disregards the middle, the most important part. The poem divides naturally into sections as follows: 1–20a; 20b–38, 39–563, 56b–78; 79–95. In we hear one of the women of the title carrying out the offering to the god. This section has been examined in detail by R. Wünsch, ‘Ein Dankopfer an Asklepios’, Arch. Rel. Wiss. vii , 95 ff., (...) who shows that it corresponds closely to the form of prayer used in real life, starting with the invocatio of the god, comprising greeting () and mention of his dwelling-places , family (parents, Koronis and Apollo. (shrink)

The four volumes of Neil Ker's Medieval Manuscripts in British Libraries were published by Oxford University Press between 1969 and 1992. They comprise a catalogue of about 3,000 manuscripts in Latin and Western European vernaculars in hitherto uncatalogued or inadequately catalogued institutional collections in the United Kingdom and form a major research tool for humanist scholars. The index volume, produced under the direction of A. G. Watson, a former pupil of Ker's and now his literary executor, and I. C. Cunningham, (...) formerly Keeper of Manuscripts in the National Library of Scotland, provides a variety of indexes, including authors/titles; owners; geographical origins and dates of manuscripts; vernacular manuscripts; Latin and vernacular incipits; manuscripts cited; repertories cited; and iconography. There are also lists of recent accessions to libraries and of manuscripts that have migrated from one institution to another. (shrink)