Der Reader versammelt programmatische Ansätze der kulturwissenschaftlichen Auseinandersetzung mit dem Problem der Evidenz aus dem Blickpunkt der Sprach-, Geschichts-, Kunst- und Literaturwissenschaft, Medientheorie, Anthropologie und Soziologie. Mit Beiträgen u.a. von Rüdiger Campe, Iris Daermann, Egon Flaig, Peter Geimer, Vinzenz Hediger, Caspar Hirschi, Ludwig Jäger, Albrecht Koschorke, Helmut Lethen, Jakob Moser, Inka Mülder-Bach, Jan-Dirk Müller, Karl Schlögel, Florian Sprenger, Jakob Tanner, Marcus Twellmann, Juliane Vogel und Claus Zittel.

Already in 1934, the poet Gottfried Benn had sketched the outline of a certain type of warrior befitting the new Third Reich. In a surrealistic style, he invoked the image of a Spartan as representative of a “white race” suitable for and capable of dictatorship. All feminine characteristics were expunged from this figure. He represented a prototype of biological virility with a steely torso and a relatively small head designed solely for the reception of orders. In 1941, once German paratroopers (...) had finally conquered the island of Crete after “battles with heavy losses,” Erhart Kästner, a soldier in the pursuing.. (shrink)