This final section presents a literary excerpt and three personal reflections on the theme of Aboagora, as well as on the experience of taking part in Aboagora. It opens with a story written by Ruth Behar, dealing with her personal experience of mastering the English language. Professor Behar read this story as an artistic comment within a workshop entitled ‘Between Art and Research: Rethinking Professional Borderlands’, which dealt with the experiences of people who combine an academic professional career with artistic (...) work. The story is followed by a personal reflection by Bishop Björn Vikström, presented within the context of a session dealing with objectivity and the problem of combining academic research with personal engagement and activism. Finally, two of the organisers of the Aboagora conference, Professor Hannu Salmi and Dr Ruth Illman, reflect on the outcome of the event, evaluating the new insights and perspectives it has facilitated, as well as looking to the future and the potential of Aboagora to develop into a permanent forum for encounters between the arts and sciences. (shrink)

Cultural historical research has deliberately challenged “historical realism,” the view that history is comprised entirely of observable actions that actually occurred, and instead has emphasized the historical significance of thoughts, emotions, and representations; it has also focused on the invisible, the momentary, and the perishable. These latter elements introduce the notion of the possible in history. This article examines the ways in which cultural history has approached the notion of the possible, as well as the methodological and theoretical implications of (...) this approach. Its chief claim is that the idea of possibility is fundamental for the concept of culture and ineliminable from its historical study.The question of possibility is present in multiple ways in the study of history; it is important to distinguish among different levels of possibility. The possible may mean, for instance, what it is possible for historians to know about the past, or the possibilities open to historical agents themselves, or, indeed, the possibilities they perceived themselves as having even if these seem impossible from the point of view of the historian. The article starts with the first aspect and moves on toward the possibilities that existed in the past world either in fact or in the minds of those in the past.The article argues that the study of past cultures always entails the mapping of past possibilities. The first strand of the essay builds on the metaphor of the black hole and intends to solve one of the central problems faced by cultural historians, namely, how to access the horizon of the people of the past, their experience of their own time, especially when the sources remain silent. The second, more speculative strand builds on the notion of plenitude and is designed to open up avenues for further discussion about the concept of culture in particular. (shrink)