Results for 'Halimatussa’Diyah Halimatussa’Diyah'

9 found
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  1.  4
    Minangkabaunese matrilineal: The correlation between the Qur’an and gender.Halimatussa’Diyah Halimatussa’Diyah, Kusnadi Kusnadi, Ai Y. Yuliyanti, Deddy Ilyas & Eko Zulfikar - 2024 - HTS Theological Studies 80 (1):7.
    Upon previous research, the matrilineal system seems to oppose Islamic teaching. However, the matrilineal system practiced by the Minangkabau society in West Sumatra, Indonesia has its uniqueness. Thus, this study aims to examine the correlation between the Qur’an and gender roles within the context of Minangkabau customs, specifically focusing on the matrilineal aspect. The present study employs qualitative methods for conducting library research through critical analysis. This study discovered that the matrilineal system practiced by the Minangkabau society aligns with Qur’anic (...)
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  2. Ḥafrīyāt ṭibb al-Rāzī.Mānī Saʻādah Nādiyah - 2009 - Wahrān: Dār al-Gharb lil-Nashr wa-al-Tawzīʻ.
  3.  20
    al-Kull wa-al-fann wa-al-ītūbiyā.Nādiyah Mājirī - 2016 - [Tunis?]: Nādiyah al-Mājirī.
    Deschamps, Léger Marie,1716-1774; enlightenment; utopias; art and philosophy; philosophy, modern; 18th century.
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  4.  26
    The millennial kiai: Educational interaction based on social media.Evi Fatimatur Rusydiyah, Halimatus Sa’Diyah & Masykurotin Azizah - 2020 - Epistemé: Jurnal Pengembangan Ilmu Keislaman 15 (1):75-97.
    The development of social media technology makes it easy for people to access information about religious knowledge. Anyone can learn the religion from social media, one of them is Youtube. This phenomenon seems to force young Nahdlatul Ulama _kiai _such as Gus Baha, Gus Miftah, and Gus Muwafiq to be adaptive and familiar to social media like Youtube. It makes them close to being called millennial _kiai_. This paper used a phenomenological approach based on observations on Youtube that examines the (...)
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  5.  5
    Judhūr al-ʻawlamah fī al-fikr al-ḥadīth min khilāl al-Sān Sīmūnīyah.Nādiyah al-Riyāḥī Fāriḥ - 2015 - Biʼr al-Bāy: al-Maʻhad al-ʻĀlī lil-Tanshīṭ al-Shabābī wa-al-Thaqāfī.
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  6.  4
    Ruʼá fī islāmīyat al-maʻrifah.Ṭāriq Bishrī, Muḥammad ʻImārah, Saʻīd Ismāʻīl ʻAlī, Nādiyah Maḥmūd Muṣṭafá, Ibrāhīm al-Bayyūmī Ghānim, al-Sayyid ʻUmar, Rifʻat al-Sayyid ʻAwaḍī & ʻAbd al-Raḥmān ʻAbd al-Raḥmān Naqīb (eds.) - 2020 - Madīnat Naṣr, al-Qāhirah: Dạr al-Fikr al-ʻArabī.
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  7.  3
    Mafhūm al-ākhār fī al-Yahūdīyah wa-al-Masīḥīyah.Ruqayyah Ṭāhā Jābir ʻAlwānī, Mona Abul-Fadl & Nādiyah Maḥmūd Muṣṭafá (eds.) - 2008 - Dimashq: Dār al-Fikr.
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  8. Falsafat al-tarbiyah ʻinda Ikhwān al-Ṣafāʼ.Nādiyah Jamāl al-Dīn - 1983 - al-Qāhirah: Manshūrāt S. Abū Dāwūd, al-Markaz al-ʻArabī lil-Ṣiḥāfah, Ahlan.
  9.  2
    Rachmi Diyah Larasati, The Dance That Makes You.Lucie Labbé - 2017 - Clio 46:278-281.
    Dès les premières lignes, Rachmi Diyah Larasati plonge le lecteur dans le sujet de son étude à travers ses propres souvenirs d’enfance, dans l’ambiance des soirées passées dans la cour de la maison familiale, petit monde féminin où elle a appris la danse avec sa grand-mère. Cette entrée en matière n’est pas anodine, puisque les travaux de R.D. Larasati ont pour première source sa propre expérience, complétée par les témoignages de plusieurs autres danseuses indonésiennes. À la fois danseuse f...
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