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  1.  6
    Historical Reality and Political Aesthetics After Jacques Derrida and Bernard Stiegler.Dario Cecchi - 2020 - Open Philosophy 3 (1):257-265.
    The article aims at showing how far the technologies of audiovisual registration affect not only the ontology of images but also our sense of realism in politics and history. As argue Jacques Derrida and Bernard Stiegler, historical events have become “tele-events” after the birth of these technologies. Our handling with images has changed accordingly. As argues Pietro Montani, we no longer consider them as “copies” of real objects but rather as “occasions” for initiating processes of “validation” of history. Hannah Arendt’s (...)
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  2. Media mostruosi, immagini sublimi. Uno sguardo sull’arte contemporanea con Lyotard.Dario Cecchi - 2021 - Studi di Estetica 20.
    The article focuses on the possibility of reconsidering the relationship existing between monstrosity and sublime in the light of Jean-François Lyotard’s interpretation of the Kantian sublime. Sublime and monstrosity unveil a system of analogies and differences, which can depict the aesthetic experience mediated by mass media, rather than by art. The lack of form and the sometimes obscene drift, which are typical of media experience, configure indeed a sensibility that oscillates between the ascension to sublime heights and the emergence of (...)
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  3.  10
    The Work of Art in a Pragmatist Perspective, Between Somaesthetics and Techno-Aesthetics.Dario Cecchi - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (2):87-99.
    John Dewey puts aesthetic experience at the center of his reflection on art and beauty, reconsidering it dynamically. Nowadays, this view opened the path to somaesthetics, a term coined by Richard Shusterman, and aesthetic anthropology. Here, it is argued that the contribution of pragmatist aesthetics could be further developed by exploring its analogies with techno-aesthetics, a paradigm proposed by French philosopher Gilbert Simondon in the early 1980s. Art occupies accordingly a special place within the different forms of aesthetic experience, being (...)
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  4.  12
    Aesthetic Experience - A Pragmatist Perspective in Cognitive Aesthetics.Dario Cecchi - 2016 - Pragmatism Today 7 (1):82-92.
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    Il lettore esemplare Fenomenologia della lettura ed estetica dell’interazione.Dario Cecchi - 2019 - Rivista di Estetica 71:257-270.
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    Percezione Enattiva E Operare Artistico. Osservazioni a Partire da Alva Noë.Dario Cecchi - 2018 - Lebenswelt. Aesthetics and Philosophy of Experience 12.
    The paper is concerned with arguing the existence of a relationship between the enactive theory of perception and aesthetics. One of the leading figures in the theory of enactment, Alva Noe, pointed out that the works of art constitute one of the keys to understand how perception and cognition realize their enactment onto reality. Art objects are, in fact, a very peculiar case of artefacts since they are considered as being able to quicken the living beings’ organization in their interaction (...)
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    Intermedialità, interattività (e ritorno). Nuove prospettive estetiche.Dario Cecchi - 2016 - Rivista di Estetica 63:3-11.
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    The Elusive Body: Abstract for a History of Screens.Dario Cecchi - 2014 - Rivista di Estetica 55:35-51.
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